1 00:00:23,060 --> 00:00:24,230 HI, ANDY. 2 00:00:24,260 --> 00:00:26,860 HEY. YOU'RE IN EARLY. WHAT'S GOING ON? 3 00:00:26,900 --> 00:00:29,700 UH... CAN WE TALK IN THERE? 4 00:00:29,730 --> 00:00:31,070 YEAH, SURE. 5 00:00:41,950 --> 00:00:44,260 THIS GOT SOMETHING TO DO WITH YOUR TRANSFER? 6 00:00:44,280 --> 00:00:46,250 THE TRANSFER WAS GOING TO TAKE TOO LONG, 7 00:00:46,280 --> 00:00:48,920 SO I'VE, UH, PUT IN FOR LEAVE OF ABSENCE. 8 00:00:48,950 --> 00:00:51,090 AND THAT'S COME THROUGH. 9 00:00:51,120 --> 00:00:52,390 EFFECTIVE TOMORROW. 10 00:00:52,420 --> 00:00:54,560 BUT I'VE GOT SOME LOST TIME BUILT UP, 11 00:00:54,590 --> 00:00:56,090 SO I'M TAKING THAT TODAY. 12 00:00:56,130 --> 00:00:57,940 ONE DAY? 13 00:00:57,960 --> 00:00:59,660 WHAT'S THE BIG RUSH? 14 00:00:59,700 --> 00:01:02,830 IT'S NOT THE ONE DAY. IT'S... 15 00:01:02,870 --> 00:01:04,510 SAYING GOOD‐BYE TO EVERYONE. 16 00:01:04,540 --> 00:01:07,650 LOOK AT ME. I'M STARTING TO PUDDLE UP TALKING TO YOU. 17 00:01:07,670 --> 00:01:09,610 DANNY'S GOING TO TAKE IT BAD. 18 00:01:09,640 --> 00:01:12,440 THAT WAS A PART OF IT. I‐I WASN'T UP TO FACING HIM. 19 00:01:12,480 --> 00:01:14,120 I'LL TALK TO HIM. 20 00:01:14,150 --> 00:01:15,820 THANKS, ANDY. 21 00:01:18,050 --> 00:01:20,450 ANY IDEA... 22 00:01:20,480 --> 00:01:21,950 HOW LONG YOU'LL BE OUT? 23 00:01:21,990 --> 00:01:24,960 THE DEPARTMENT ALLOWS FOR A YEAR PERSONAL LEAVE, 24 00:01:24,990 --> 00:01:28,120 BUT I'M TAKING IT A DAY AT A TIME. 25 00:01:28,160 --> 00:01:31,630 WE'RE ALWAYS HERE IF YOU NEED US. 26 00:01:31,660 --> 00:01:33,360 I'M HERE. 27 00:01:33,400 --> 00:01:36,610 TELL EVERYONE I'LL CALL EACH OF THEM. 28 00:01:36,640 --> 00:01:38,840 NO PROBLEM. 29 00:01:40,810 --> 00:01:43,780 WHAT YOU MEANT TO BOBBY, WHAT YOU MEAN TO ME ‐‐ 30 00:01:43,810 --> 00:01:46,310 I‐I DON'T HAVE THE WORDS. 31 00:01:46,340 --> 00:01:48,310 DO WHAT YOU HAVE TO TO BE HAPPY. 32 00:01:48,350 --> 00:01:50,960 I THINK I AM. 33 00:01:50,980 --> 00:01:52,680 YOU TAKE CARE OF YOURSELF. 34 00:01:52,720 --> 00:01:54,730 YOU TOO. 35 00:02:18,680 --> 00:02:20,590 LOST TIME, JOHN. 36 00:03:50,370 --> 00:03:53,270 NO, I‐I DON'T KNOW IF I CAN MAKE IT THERE 37 00:03:53,300 --> 00:03:55,100 BY 5:00 TONIGHT, KATIE. 38 00:03:55,140 --> 00:03:57,670 HOW MUCH IS THIS PLACE? 39 00:03:57,710 --> 00:03:58,810 IN MANHATTAN? 40 00:03:58,840 --> 00:04:00,910 WHAT IS IT, NEXT DOOR TO A CRACK HOUSE? 41 00:04:00,950 --> 00:04:03,660 [ SIGHS ] 42 00:04:03,680 --> 00:04:04,980 YEAH, I KNOW. 43 00:04:05,020 --> 00:04:07,530 YOU TOLD ME THAT THESE APARTMENTS GO FAST. 44 00:04:07,550 --> 00:04:09,020 I'LL LET YOU KNOW. 45 00:04:09,050 --> 00:04:12,020 HEY, ARE YOU STILL LOOKING FOR A NEW PLACE? 46 00:04:12,060 --> 00:04:13,670 I GOT A GOOD DEAL WHERE I'M LIVING. 47 00:04:13,690 --> 00:04:15,120 IF WE'RE GOING TO FIND MORE SPACE, 48 00:04:15,160 --> 00:04:17,130 I'M GOING TO HAVE TO GET A SECOND JOB 49 00:04:17,160 --> 00:04:18,460 OR WIN THE LOTTERY. 50 00:04:18,500 --> 00:04:21,170 YOU HEAR ANYTHING ABOUT DIANE CALLING IN SICK? 51 00:04:24,570 --> 00:04:26,000 SHE'S NOT SICK. 52 00:04:26,040 --> 00:04:28,010 WELL, IT'S NOT LIKE HER BEING LATE. 53 00:04:28,040 --> 00:04:29,670 IT'S GOING TO BE ONE OF THOSE DAYS. 54 00:04:29,710 --> 00:04:30,940 JUST GOT TWO HOMICIDE CALLS. 55 00:04:30,980 --> 00:04:32,980 ONE'S IN AN APARTMENT, AVENUE B, 56 00:04:33,010 --> 00:04:34,280 BETWEEN 2nd AND 3rd. 57 00:04:34,310 --> 00:04:36,110 THE OTHER'S RIGHT OUT ON 9th STREET. 58 00:04:36,150 --> 00:04:37,960 HOW ABOUT ME AND ANDY TAKE THE AVENUE B? 59 00:04:37,980 --> 00:04:39,010 OKAY. 60 00:04:39,050 --> 00:04:40,820 YOU AND BALDWIN. 61 00:04:40,850 --> 00:04:43,320 UH... 62 00:04:43,350 --> 00:04:46,190 BEING DIANE RUSSELL'S ON A PERSONAL LEAVE OF ABSENCE 63 00:04:46,220 --> 00:04:47,690 AS OF TODAY, 64 00:04:47,730 --> 00:04:49,740 I GUESS CONNIE'S WITHOUT A PARTNER, 65 00:04:49,760 --> 00:04:52,160 SO LET'S SAY TODAY YOU GO WITH DANNY AND ANDY. 66 00:04:52,200 --> 00:04:53,910 RIGHT, BOSS. 67 00:04:53,930 --> 00:04:56,670 HEY, UH, DIANE'S ON LEAVE AS OF TODAY FOR HOW LONG? 68 00:04:56,700 --> 00:04:58,900 I DON'T KNOW. COULD BE AS MUCH AS A YEAR. 69 00:05:00,540 --> 00:05:03,500 GEE, I WOULD HAVE LIKED TO SAY GOOD‐BYE. 70 00:05:03,540 --> 00:05:05,470 I SAW HER THIS MORNING WHEN SHE WAS SIGNING HER PAPERS. 71 00:05:05,510 --> 00:05:07,480 YOU TALKED TO HER? 72 00:05:07,510 --> 00:05:09,880 SHE SAID TO TELL EVERYBODY SHE WAS GOING TO CALL. 73 00:05:13,950 --> 00:05:17,550 NO, THAT'S ABOUT ME ‐‐ HER NOT WANTING TO SAY GOOD‐BYE. 74 00:05:17,590 --> 00:05:20,490 MAYBE IT'S ABOUT HER HAVING A TOUGH TIME LEAVING HERE. 75 00:05:20,520 --> 00:05:22,820 YEAH ‐‐ A TOUGH TIME LEAVING, A TOUGH TIME STAYING. 76 00:05:22,860 --> 00:05:24,890 SHE SHOULD HAVE LET ME BE THE ONE TO GO. 77 00:05:24,930 --> 00:05:26,900 DANNY, ONE FOOT IN FRONT OF THE OTHER. 78 00:05:28,300 --> 00:05:29,830 WE HEAD OUT? 79 00:05:29,870 --> 00:05:33,070 YEAH. COME ON. 80 00:05:59,160 --> 00:06:01,760 D.O.A. IS A SVETLANA CORSO. 81 00:06:01,800 --> 00:06:04,200 IT'S HER APARTMENT. NO SIGN OF FORCED ENTRY. 82 00:06:04,240 --> 00:06:06,380 GUY OVER THERE CALLED IT IN. 83 00:06:06,400 --> 00:06:08,900 SAID HE HAD AN APPOINTMENT TO MEET HER. 84 00:06:10,610 --> 00:06:12,270 NO LIGATURE MARKS. 85 00:06:12,310 --> 00:06:15,280 LOOKS LIKE MANUAL STRANGULATION. 86 00:06:15,310 --> 00:06:16,780 PRETTY GIRL. 87 00:06:16,820 --> 00:06:18,260 BROKEN FINGERNAILS. 88 00:06:18,280 --> 00:06:20,280 SHE PUT UP A FIGHT. 89 00:06:22,950 --> 00:06:25,550 HAVE CRIME SCENE BAG HER HANDS. 90 00:06:25,590 --> 00:06:26,590 YOU CALLED 911? 91 00:06:26,630 --> 00:06:27,770 WHAT'S YOUR NAME? 92 00:06:27,790 --> 00:06:28,790 [ Russian accent ] NIKOLAI KORSOV. 93 00:06:28,830 --> 00:06:30,440 YOU KNOW THIS GIRL? 94 00:06:30,460 --> 00:06:33,160 YES. LANA. SHE IS DANCER AT TAILFEATHERS NIGHTCLUB. 95 00:06:33,200 --> 00:06:34,270 TOPLESS DANCER. 96 00:06:34,300 --> 00:06:35,800 SHE'D PREFER "EXOTIC." 97 00:06:35,830 --> 00:06:37,830 Connie: SO, NIKOLAI, WHAT KIND OF APPOINTMENT WAS IT 98 00:06:37,870 --> 00:06:40,100 YOU AND LANA HAD SO EARLY THIS MORNING? 99 00:06:40,140 --> 00:06:42,940 NOT LIKE YOU THINK. SHE'S A NICE GIRL. 100 00:06:42,970 --> 00:06:45,410 NEVER MIND WHAT WE THINK. WHY DON'T YOU TELL US? 101 00:06:45,440 --> 00:06:47,410 I RUN JEWELRY SHOP ‐‐ FIRST AVENUE. 102 00:06:47,450 --> 00:06:49,250 LANA TAKE ON CONSIGNMENT, 103 00:06:49,280 --> 00:06:50,910 SELL TO GIRLS WHERE SHE WORK ‐‐ 104 00:06:50,950 --> 00:06:52,980 EARRINGS, BRACELETS, SEMIPRECIOUS STONES. 105 00:06:53,020 --> 00:06:55,290 ALSO, FOR CUSTOMERS GIVE TO GIRLS. 106 00:06:55,320 --> 00:06:58,620 THAT'S HOW SHE MAKES MONEY. NO NEED TO SELL BODY. 107 00:06:58,660 --> 00:07:00,830 SO SHE WASN'T HOOKING. 108 00:07:00,860 --> 00:07:02,960 YOU AND LANA EVER GET TOGETHER ON THE HOUSE? 109 00:07:02,990 --> 00:07:04,160 MAYBE SHE WAS GRATEFUL ‐‐ 110 00:07:04,200 --> 00:07:06,100 YOU HELPING HER OUT, TRUSTING HER WITH YOUR WARES. 111 00:07:06,130 --> 00:07:08,100 NOT TO SAY I'M NOT INTERESTED. 112 00:07:08,130 --> 00:07:09,830 LANA COME TWO YEARS AGO FROM RUSSIA, 113 00:07:09,870 --> 00:07:11,670 SAY SHE WANT TO MAKE MONEY 114 00:07:11,700 --> 00:07:15,800 BEFORE HER TITS SAG AND ASS FALL. 115 00:07:15,840 --> 00:07:17,310 START CLOTHING SHOP. 116 00:07:17,340 --> 00:07:18,810 SHE'S AN EXCELLENT SEAMSTRESS. 117 00:07:18,840 --> 00:07:20,840 SO SHE'D DANCE AT CLUBS, SELL JEWELS FOR ME ‐‐ 118 00:07:20,880 --> 00:07:23,010 LET'S GET BACK TO TODAY. 119 00:07:25,020 --> 00:07:28,530 TODAY I MEET HER HERE, 9:00. 120 00:07:28,550 --> 00:07:30,520 I KNOCK ON DOOR, SHE DOESN'T ANSWER, 121 00:07:30,560 --> 00:07:33,130 BUT I COULD HEAR, INSIDE, HER SPEAKING WITH MAN. 122 00:07:33,160 --> 00:07:35,730 SO YOU FIGURED SHE WAS BLOWING YOU OFF. 123 00:07:35,760 --> 00:07:37,160 MAYBE. SO I GO OUT AND CALL. 124 00:07:37,200 --> 00:07:39,500 I LEAVE MESSAGE ON MACHINE. I AM UPSET. 125 00:07:39,530 --> 00:07:42,160 AND THEN I SEE TWO MEN COME FROM BUILDING, 126 00:07:42,200 --> 00:07:43,630 AND ONE CARRIES A SAFE. 127 00:07:43,670 --> 00:07:44,630 A SAFE? 128 00:07:44,670 --> 00:07:47,340 SHE KEPT MONEY AND JEWELS IN IT. 129 00:07:47,370 --> 00:07:49,970 SO AFTER YOU SAW THESE TWO, WHAT DID YOU DO THEN? 130 00:07:50,010 --> 00:07:52,210 I AM UPSET. I AM SCARED. 131 00:07:52,240 --> 00:07:54,340 I RIGHT AWAY CALL 911. 132 00:07:54,380 --> 00:07:56,380 POLICE COME, I SHOW THEM APARTMENT. 133 00:07:56,410 --> 00:07:58,680 THEY OPEN DOOR, SHE IS DEAD ON FLOOR. 134 00:07:58,720 --> 00:08:00,330 POOR LANA. 135 00:08:00,350 --> 00:08:02,420 GUESS YOU LOST YOUR SALESGIRL, HUH? 136 00:08:02,450 --> 00:08:04,650 DO YOU THINK YOU COULD DESCRIBE THESE TWO MEN YOU SAW? 137 00:08:04,690 --> 00:08:06,590 YES. BOTH WHITE. 138 00:08:06,630 --> 00:08:08,330 ONE I GET CLOSE LOOK. 139 00:08:08,360 --> 00:08:10,360 HANDSOME. DARK, THICK HAIR. COULD BE ITALIAN. 140 00:08:10,390 --> 00:08:11,360 ITALIAN? 141 00:08:11,400 --> 00:08:12,540 ITALIAN. 142 00:08:12,560 --> 00:08:14,730 SO I GET BACK TO WORK NOW? 143 00:08:14,770 --> 00:08:17,580 GOT AN IDIOT WHO RUNS MY SHOP WHILE I'M AWAY. 144 00:08:17,600 --> 00:08:19,570 WHY DON'T YOU GIVE US YOUR NUMBER AT THE SHOP? 145 00:08:19,600 --> 00:08:21,270 WE'LL BE IN TOUCH. 146 00:08:40,390 --> 00:08:43,290 D.O.A.'s MARTIN SIMONS. 147 00:08:43,330 --> 00:08:45,100 WIFE SAYS MALE CAME UP ON HIM FROM BEHIND, 148 00:08:45,130 --> 00:08:46,430 PUT THE OLD MAN IN A CHOKE HOLD. 149 00:08:46,460 --> 00:08:50,230 PARAMEDICS SAY THE POOR GUY HAD A HEART ATTACK. 150 00:08:50,270 --> 00:08:51,900 MRS. SIMONS? 151 00:08:51,940 --> 00:08:53,710 I'M DETECTIVE MEDAVOY. 152 00:08:53,740 --> 00:08:54,900 WHAT AM I GOING TO DO? 153 00:08:54,940 --> 00:08:56,940 CAN YOU TELL ME WHAT HAPPENED? 154 00:08:56,980 --> 00:08:58,280 WE JUST CAME FROM THE BANK. 155 00:08:58,310 --> 00:09:01,540 MARTY CASHED HIS MONTHLY CHECK FROM THE V. A. 156 00:09:01,580 --> 00:09:03,550 AND WE WERE WALKING BACK TO OUR APARTMENT 157 00:09:03,580 --> 00:09:05,550 WHEN THIS THUG CAME UP 158 00:09:05,580 --> 00:09:08,220 AND GRABBED MARTY AROUND THE NECK. 159 00:09:08,250 --> 00:09:09,620 THIS IS MY PARTNER DETECTIVE JONES. 160 00:09:09,650 --> 00:09:11,490 HI. 161 00:09:11,520 --> 00:09:12,750 WHICH BANK WAS THAT? 162 00:09:12,790 --> 00:09:14,720 THE CITIZENS OF NEW YORK. 163 00:09:14,760 --> 00:09:17,790 MARTY LIKED TO TAKE OUT A LITTLE CASH TO GIVE THE KIDS. 164 00:09:17,830 --> 00:09:20,600 THEY DON'T NEED THE MONEY, BUT IT MADE MARTY FEEL GOOD. 165 00:09:20,630 --> 00:09:23,400 AND YOU THINK THIS GUY FOLLOWED YOU FROM THE BANK? 166 00:09:23,430 --> 00:09:25,630 I DON'T KNOW. IT SEEMED LIKE HE CAME OUT OF NOWHERE. 167 00:09:25,670 --> 00:09:27,840 DID YOU GET A GOOD LOOK AT HIM? 168 00:09:27,870 --> 00:09:29,840 HE WAS BLACK. HE WAS ABOUT 6 FEET. 169 00:09:29,870 --> 00:09:32,410 HE HAD THOSE LITTLE, UH, BRAIDS. 170 00:09:32,440 --> 00:09:34,240 HE WAS YOUNG. MAYBE 20? 171 00:09:34,280 --> 00:09:35,740 I GAVE HIM THE MONEY, 172 00:09:35,780 --> 00:09:38,110 BUT THEN MARTY DIDN'T WANT TO GIVE UP HIS RING. 173 00:09:38,150 --> 00:09:39,620 HIS WEDDING RING? 174 00:09:39,650 --> 00:09:42,620 GOLD BATTALION RING HE GOT FROM THE ARMY 175 00:09:42,650 --> 00:09:44,420 IN WORLD WAR II. 176 00:09:44,460 --> 00:09:47,930 HE WORE THAT RING EVERY DAY FOR 56 YEARS. 177 00:09:47,960 --> 00:09:49,420 A SHELL CAME IN THE FOXHOLE. 178 00:09:49,460 --> 00:09:50,930 THEY CALLED IT A DUD, 179 00:09:50,960 --> 00:09:53,830 BUT IT BLEW 20 PIECES OF CASING IN MARTY'S LEG. 180 00:09:53,870 --> 00:09:56,140 HE SAID, "CALM DOWN, OLD MAN. 181 00:09:56,170 --> 00:09:58,640 JUST GIVE ME THE RING AND I WON'T HURT YOU." 182 00:09:58,670 --> 00:10:00,470 MARTY WOULDN'T GIVE IT TO HIM. 183 00:10:00,500 --> 00:10:02,270 HE GOT IT ANYWAY. 184 00:10:02,310 --> 00:10:05,450 AND THEN MARTY COLLAPSED AND THE BOY RAN AWAY. 185 00:10:05,480 --> 00:10:09,450 THAT RING MEANT SO MUCH TO HIM. 186 00:10:09,480 --> 00:10:12,450 WE'D LIKE YOU TO COME TO THE STATION HOUSE WITH US 187 00:10:12,480 --> 00:10:14,550 TO, UH, LOOK AT SOME PICTURES. 188 00:10:14,590 --> 00:10:17,500 COULDN'T WE DO THAT LATER? I JUST WANT TO GO HOME NOW. 189 00:10:17,520 --> 00:10:19,990 DO YOU HAVE ANYONE THAT CAN STAY WITH YOU? 190 00:10:20,020 --> 00:10:21,490 MY DAUGHTER. 191 00:10:21,530 --> 00:10:26,370 SHE ‐‐ HOW CAN I TELL HER HER FATHER'S BEEN MURDERED? 192 00:10:26,400 --> 00:10:29,370 WE'LL SEE WHAT WE CAN DO TO GET THAT RING BACK. 193 00:10:38,280 --> 00:10:42,120 [ DANCE MUSIC PLAYING ] 194 00:10:45,380 --> 00:10:46,850 IT'S NOT EVEN NOON. 195 00:10:46,890 --> 00:10:48,860 THESE MUTTS ARE ALREADY SUCKING UP BEER, 196 00:10:48,890 --> 00:10:51,260 STICKING IN BILLS WHERE THEY DON'T BELONG. 197 00:10:51,290 --> 00:10:52,720 IN MY DAY, I WAS GOOD FOR A COUPLE OF SHOTS 198 00:10:52,760 --> 00:10:54,770 AND STICKING IN A FEW BILLS BY NOON. 199 00:10:54,790 --> 00:10:56,360 LOOKING FOR THE OWNER. 200 00:10:56,390 --> 00:10:58,590 WHICH ONE? JOE SHOMAN. CALL ME JOEY. 201 00:10:58,630 --> 00:11:00,760 ME AND MY PARTNER OWN THE PLACE. 202 00:11:00,800 --> 00:11:01,930 CONGRATULATIONS. 203 00:11:01,970 --> 00:11:03,210 WHAT CAN I DO FOR YOU? 204 00:11:03,230 --> 00:11:04,270 LANA CORSO. 205 00:11:04,300 --> 00:11:05,870 UH, SHE DON'T WORK TILL 8:00 TONIGHT, 206 00:11:05,900 --> 00:11:07,540 SO WHY DON'T YOU COME BACK THEN? 207 00:11:07,570 --> 00:11:09,000 DRINKS ON THE HOUSE. 208 00:11:09,040 --> 00:11:11,110 WHEN WAS THE LAST TIME YOU SAW HER? 209 00:11:11,140 --> 00:11:13,110 UH, LAST NIGHT. SHE DANCED THE LATE SHIFT. 210 00:11:13,140 --> 00:11:14,380 WHY? WHAT'S SHE DONE? 211 00:11:14,410 --> 00:11:15,740 SHE'S GOT HERSELF KILLED. 212 00:11:15,780 --> 00:11:17,850 OH, MY GOD. 213 00:11:17,880 --> 00:11:20,550 YOU GOT ANY IDEA WHO'D WANT TO SEE HER DEAD? 214 00:11:20,590 --> 00:11:23,060 UH...NO. 215 00:11:23,090 --> 00:11:25,130 REALLY, I‐I DON'T. 216 00:11:25,160 --> 00:11:27,900 DID YOU KNOW SHE WAS SELLING JEWELS OUT OF YOUR CLUB? 217 00:11:27,930 --> 00:11:29,230 YEAH. SHE DIDN'T HIDE IT. 218 00:11:29,260 --> 00:11:30,560 FIGURED IT WAS A SERVICE FOR THE CUSTOMERS. 219 00:11:30,600 --> 00:11:32,100 AND YOU DIDN'T MAYBE WANT A CUT? 220 00:11:32,130 --> 00:11:33,600 OH, IT WAS PENNY‐ANTE. 221 00:11:33,630 --> 00:11:36,930 YOU THINK WE HAD HER WHACKED BEHIND SELLING KNICKKNACKS? 222 00:11:36,970 --> 00:11:38,100 Connie: DID LANA HAVE A BOYFRIEND? 223 00:11:38,140 --> 00:11:39,110 I WOULDN'T KNOW. 224 00:11:39,140 --> 00:11:40,610 HOW ABOUT ANY SPECIAL CUSTOMERS ‐‐ 225 00:11:40,640 --> 00:11:42,270 ANYBODY WHO MIGHT HAVE GOT JEALOUS? 226 00:11:42,310 --> 00:11:44,280 NOBODY FIXATED, IF THAT'S WHAT YOU'RE ASKING. 227 00:11:44,310 --> 00:11:46,270 THE GIRLS PROBABLY KNOW MORE ABOUT LANA'S PERSONAL LIFE 228 00:11:46,310 --> 00:11:47,740 THAN I DO. 229 00:11:47,780 --> 00:11:51,280 I'LL NEED A LIST OF PERSONNEL, ON AND OFF THE BOOKS. 230 00:11:51,320 --> 00:11:53,020 ANYTHING YOU GUYS NEED. 231 00:11:56,960 --> 00:11:58,830 YOU ‐‐ WHAT'S YOUR NAME? 232 00:11:58,860 --> 00:12:00,230 CHELSEA... 233 00:12:00,260 --> 00:12:01,720 LIKE CHELSEA CLINTON? 234 00:12:01,760 --> 00:12:03,730 WHAT CAN YOU TELL ME ABOUT LANA CORSO? 235 00:12:03,760 --> 00:12:05,090 WHY? 236 00:12:05,130 --> 00:12:06,700 BECAUSE I ASKED YOU. 237 00:12:07,800 --> 00:12:10,270 DOES LANA HAVE A BOYFRIEND YOU KNOW OF? 238 00:12:10,300 --> 00:12:12,930 I GUESS SHE WAS DATING THIS ONE GUY ON AND OFF. 239 00:12:12,970 --> 00:12:14,300 THIS GUY GOT A NAME? 240 00:12:14,340 --> 00:12:16,000 MIKE GILLESPIE. 241 00:12:16,040 --> 00:12:18,510 HE'S A BOUNCER OVER AT SLOANE'S. 242 00:12:18,540 --> 00:12:20,310 CAN I TALK TO YOU A MINUTE? I'M A DETECTIVE. 243 00:12:20,340 --> 00:12:21,810 WHAT'S IT ABOUT? 244 00:12:21,850 --> 00:12:23,020 IT'S ABOUT LANA CORSO. 245 00:12:23,050 --> 00:12:25,020 OH, GOD. DID SOMETHING HAPPEN TO HER? 246 00:12:25,050 --> 00:12:26,410 WHAT MAKES YOU THINK THAT? 247 00:12:26,450 --> 00:12:28,820 IS IT OKAY IF WE SIT DOWN? 248 00:12:31,660 --> 00:12:33,130 SO, WHAT'S YOUR NAME? 249 00:12:33,160 --> 00:12:34,430 KRISTEN MOORE. 250 00:12:34,460 --> 00:12:36,490 SO WHAT HAPPENED TO LANA? 251 00:12:36,530 --> 00:12:39,440 SOMEONE STRANGLED HER AT HER APARTMENT. 252 00:12:39,460 --> 00:12:41,430 SHE WAS, UM... 253 00:12:41,470 --> 00:12:44,110 MY BEST FRIEND IN NEW YORK. 254 00:12:44,140 --> 00:12:46,950 SHE WAS DIFFERENT FROM THE OTHER GIRLS. 255 00:12:46,970 --> 00:12:48,940 ANY IDEA WHO MIGHT HAVE WANTED HER DEAD? 256 00:12:48,970 --> 00:12:50,440 SO NICE TO EVERYONE. 257 00:12:50,470 --> 00:12:52,610 I‐I CAN'T BELIEVE ANYONE WOULD WANT TO KILL HER. 258 00:12:52,640 --> 00:12:54,610 YOU KNOW ANYTHING ABOUT HER SELLING JEWELRY 259 00:12:54,650 --> 00:12:57,460 TO ANY GIRLS AT THE CLUB, ANY CUSTOMERS? 260 00:12:57,480 --> 00:12:59,480 SURE. YOU THINK THAT'S WHY SHE GOT KILLED? 261 00:12:59,520 --> 00:13:00,830 WE DON'T KNOW. 262 00:13:00,850 --> 00:13:03,620 SO, HOW LONG YOU BEEN WORKING HERE? 263 00:13:03,660 --> 00:13:04,800 SIX MONTHS. 264 00:13:04,820 --> 00:13:06,660 WHAT CAN YOU TELL ME ABOUT THE OWNERS? 265 00:13:06,690 --> 00:13:08,660 JOEY AND ED? 266 00:13:08,690 --> 00:13:10,530 THEY'RE NICE ENOUGH, I GUESS. 267 00:13:10,560 --> 00:13:12,490 A PLACE LIKE THIS ‐‐ 268 00:13:12,530 --> 00:13:14,830 WE ALL KNOW IT'S HOOKED UP WITH SOME CRIMINAL ACTIVITY. 269 00:13:14,870 --> 00:13:16,140 WE'RE NOT LOOKING TO SHUT IT DOWN. 270 00:13:16,170 --> 00:13:18,140 WE'RE LOOKING TO FIND OUT WHO KILLED YOUR FRIEND. 271 00:13:18,170 --> 00:13:20,140 I KEEP AWAY FROM ALL THAT STUFF. 272 00:13:20,170 --> 00:13:21,300 LANA DID, TOO. 273 00:13:21,340 --> 00:13:23,040 WHAT ABOUT A BOYFRIEND? 274 00:13:23,070 --> 00:13:25,040 THERE WAS THIS ONE GUY, UH, MIKE GILLESPIE. 275 00:13:25,080 --> 00:13:27,850 BUT I DON'T KNOW IF I'D EXACTLY CALL HIM HER BOYFRIEND. 276 00:13:27,880 --> 00:13:29,180 HE WORKS OVER AT SLOANE'S. 277 00:13:29,210 --> 00:13:31,680 I DON'T THINK SHE'S SEEN HIM IN A WHILE. 278 00:13:31,720 --> 00:13:33,690 OKAY, KRISTEN. YOU BEEN A LOT OF HELP. 279 00:13:33,720 --> 00:13:35,720 YOU GOING TO BE HERE IF WE NEED TO REACH YOU? 280 00:13:35,750 --> 00:13:40,020 I DON'T WORK TILL TONIGHT. I JUST CAME BY FOR MY CHECK. 281 00:13:40,060 --> 00:13:41,490 I'M SCARED. 282 00:13:41,530 --> 00:13:43,500 LOOK, HERE'S MY CARD. 283 00:13:43,530 --> 00:13:46,200 YOU CALL ME IF YOU NEED ANYTHING. 284 00:13:46,230 --> 00:13:48,230 GOD, THIS IS SO AWFUL. 285 00:14:03,580 --> 00:14:05,050 [ KNOCKS ON DOOR ] 286 00:14:05,080 --> 00:14:07,220 ON THAT D. O. A. MARTIN SIMONS, 287 00:14:07,250 --> 00:14:09,380 GREG AND I CHASED A PATTERN OF STREET ROBBERIES. 288 00:14:09,420 --> 00:14:11,020 LOOKS LIKE ELDERLY BEING FOLLOWED 289 00:14:11,060 --> 00:14:13,030 COMING OUT OF THE CITIZENS BANK OF NEW YORK 290 00:14:13,060 --> 00:14:14,230 OVER ON 8th STREET, 291 00:14:14,260 --> 00:14:16,020 ESPECIALLY THE FIRST OF THE MONTH LIKE TODAY. 292 00:14:16,060 --> 00:14:17,060 WHEN THEY GET 293 00:14:17,100 --> 00:14:18,400 THEIR SOCIAL SECURITY CHECKS AND THE LIKE. 294 00:14:18,430 --> 00:14:20,560 OUR D. O. A.'s CHECK WAS FROM THE V. A. 295 00:14:20,600 --> 00:14:22,900 BOTTOM FEEDERS. TAKE YOUR GOVERNMENT CHECK, 296 00:14:22,930 --> 00:14:25,070 MAYBE YOU DON'T EAT TILL THE NEXT ONE. 297 00:14:25,100 --> 00:14:27,240 EIGHT MUGGINGS PAST SIX WEEKS ‐‐ 298 00:14:27,270 --> 00:14:29,940 EACH ONE, BAD GUY CAME UP FROM BEHIND, USED A CHOKEHOLD. 299 00:14:29,970 --> 00:14:31,870 THEY GET DESCRIPTIONS FROM THE VICTIMS? 300 00:14:31,910 --> 00:14:34,410 BLACK MALE, 20s, SOMETIMES 2 OF THEM. 301 00:14:34,450 --> 00:14:36,560 THAT'S PRETTY GENERAL. 302 00:14:36,580 --> 00:14:38,710 IN THIS CASE, THE D. O. A.'s WIFE THINKS SHE COULD PROBABLY I. D. 303 00:14:38,750 --> 00:14:40,380 THE GUY WHO ATTACKED HER HUSBAND. 304 00:14:40,420 --> 00:14:41,920 THE REASON NO ONE PUT THIS TOGETHER BEFORE 305 00:14:41,950 --> 00:14:43,720 EVEN THOUGH ALL THE VICTIMS CAME OUT OF THE SAME BANK ‐‐ 306 00:14:43,760 --> 00:14:45,760 THEY GOT TAKEN OFF IN DIFFERENT LOCATIONS 307 00:14:45,790 --> 00:14:47,920 AND SOME REPORTS EVEN FELL OFF INTO DIFFERENT PRECINCTS. 308 00:14:47,960 --> 00:14:49,390 GET WITH ANTI‐CRIME. 309 00:14:49,430 --> 00:14:50,940 PUT SOME SPECIAL ATTENTION THERE THE REST OF THE DAY. 310 00:14:50,960 --> 00:14:53,430 WE WERE THINKING MAYBE SET UP ON THAT BANK OURSELVES. 311 00:14:53,460 --> 00:14:56,500 LET'S DO IT. 312 00:15:00,500 --> 00:15:02,600 THAT BAR SLOANE'S THIS MIKE GILLESPIE WORKS AT ‐‐ 313 00:15:02,640 --> 00:15:03,840 THEY HAVEN'T HEARD FROM HIM. 314 00:15:03,880 --> 00:15:05,450 THERE'S STILL NO ANSWER AT HIS PLACE. 315 00:15:05,480 --> 00:15:06,750 MAYBE WE SHOULD DROP BY. 316 00:15:06,780 --> 00:15:08,940 THIS GILLESPIE WAS LANA'S BOYFRIEND. 317 00:15:08,980 --> 00:15:10,980 THEY HAD A DISTANT RELATIONSHIP. 318 00:15:11,020 --> 00:15:13,020 PHONE DUMP DON'T SHOW NO CALLS FROM HER PLACE 319 00:15:13,050 --> 00:15:14,420 TO OR FROM HIS PLACE. 320 00:15:14,450 --> 00:15:16,350 I RAN THE BOYFRIEND MICHAEL GILLESPIE. 321 00:15:16,390 --> 00:15:18,700 CAME UP ONE COLLAR FOR DISCON, ONE FOR ASSAULT. 322 00:15:18,720 --> 00:15:20,290 HE'S A BOUNCER. 323 00:15:20,320 --> 00:15:22,490 MAYBE BREAKING UP A BAR BRAWL. 324 00:15:22,530 --> 00:15:25,000 YOU KNOW, I'LL TRY AND DIG UP SOME BACKGROUND ON THE OWNERS. 325 00:15:25,030 --> 00:15:26,860 I'LL CALL OCCB AND SEE IF THEY'VE GOT ANYTHING 326 00:15:26,900 --> 00:15:28,300 ON TIES TO THE MOB. 327 00:15:28,330 --> 00:15:30,000 I COULD TRY THE STATE LIQUOR AUTHORITY. 328 00:15:30,030 --> 00:15:31,000 SOUNDS GOOD. 329 00:15:31,040 --> 00:15:32,810 DETECTIVE McDOWELL? 330 00:15:32,840 --> 00:15:35,010 DETECTIVE RUSSELL ON LINE ONE. 331 00:15:37,210 --> 00:15:39,680 SHE SAID SHE WAS GOING TO CALL PEOPLE. 332 00:15:41,250 --> 00:15:44,220 UM, MISS BUNIN. 333 00:15:44,250 --> 00:15:45,380 HELLO. 334 00:15:45,420 --> 00:15:46,490 OH, YOU REMEMBER ME. 335 00:15:46,520 --> 00:15:48,160 CYNTHIA, WHAT ARE YOU DOING HERE? 336 00:15:48,190 --> 00:15:49,160 IS SOMETHING WRONG? 337 00:15:49,190 --> 00:15:51,500 NOTHING'S WRONG. 338 00:15:51,520 --> 00:15:54,060 IS THERE SOMEPLACE WE CAN TALK? 339 00:15:54,090 --> 00:15:57,430 UH, SURE. 340 00:16:08,210 --> 00:16:09,550 WANT SOME COFFEE? 341 00:16:09,570 --> 00:16:12,510 UH, NO, THANKS. I'LL GET TO THE POINT. 342 00:16:12,540 --> 00:16:14,480 OKAY. 343 00:16:14,510 --> 00:16:16,410 I DIDN'T LIKE HOW WE LEFT THINGS. 344 00:16:16,450 --> 00:16:19,190 YEAH, I DIDN'T LIKE HOW WE LEFT THINGS NEITHER. 345 00:16:19,220 --> 00:16:21,530 I CARE ABOUT YOU. 346 00:16:21,550 --> 00:16:24,090 I DIDN'T LIKE THE IDEA OF YOU THINKING 347 00:16:24,120 --> 00:16:25,590 I WAS SELFISH 348 00:16:25,620 --> 00:16:27,490 OR DIDN'T UNDERSTAND YOUR POINT OF VIEW. 349 00:16:27,530 --> 00:16:29,100 I WASN'T THINKING ANY OF THAT. 350 00:16:29,130 --> 00:16:31,840 I KNOW YOUR LIFE IS COMPLICATED. 351 00:16:31,860 --> 00:16:34,000 YOU'VE GOT A 5‐YEAR‐OLD BOY. 352 00:16:34,030 --> 00:16:36,360 YOU'VE GOT A HISTORY. 353 00:16:36,400 --> 00:16:38,700 [ Sighs ] GOD, I'VE REHEARSED ALL THIS IN MY MIND, 354 00:16:38,740 --> 00:16:40,550 AND NOW I'M NOT GETTING ANY OF IT RIGHT. 355 00:16:40,570 --> 00:16:42,200 YOU'RE DOING FINE. 356 00:16:44,880 --> 00:16:47,620 I‐I GUESS WHAT I WANTED TO SAY 357 00:16:47,650 --> 00:16:49,720 IS THAT ME PUSHING YOU LIKE I DID 358 00:16:49,750 --> 00:16:52,050 INTO MAKING SOME KIND OF COMMITMENT 359 00:16:52,080 --> 00:16:53,550 BEFORE YOU WERE READY ‐‐ 360 00:16:53,590 --> 00:16:55,560 I DIDN'T GIVE YOU ANY CHOICE. 361 00:16:55,590 --> 00:16:59,100 I FEEL LIKE I DROVE YOU AWAY, AND THAT'S NOT WHAT I WANTED, 362 00:16:59,120 --> 00:17:01,620 AND IF THINGS EVER CHANGE, AND YOU DECIDE 363 00:17:01,660 --> 00:17:04,730 MAYBE YOU AND I COULD HAVE SOMETHING TOGETHER, 364 00:17:04,760 --> 00:17:06,960 NO PRESSURE, NO CLOCK TICKING, 365 00:17:07,000 --> 00:17:09,460 AND NOT EVERYTHING GOING BACK AND FORTH 366 00:17:09,500 --> 00:17:11,530 TO UNCLE EDDIE, 367 00:17:11,570 --> 00:17:14,740 PLEASE GIVE ME A CALL. 368 00:17:14,770 --> 00:17:16,770 CYNTHIA, UM, 369 00:17:16,810 --> 00:17:20,580 I THINK YOU SHOULD KNOW I'M GETTING MARRIED. 370 00:17:20,610 --> 00:17:23,610 MARRIED? 371 00:17:23,650 --> 00:17:26,620 I‐I DIDN'T EVEN KNOW YOU WERE SEEING SOMEONE ELSE. 372 00:17:26,650 --> 00:17:28,980 I'M GETTING MARRIED TO MY EX‐WIFE ‐‐ 373 00:17:29,020 --> 00:17:30,490 MY EX‐WIFE KATIE. 374 00:17:30,520 --> 00:17:32,120 I DIDN'T GET THE IMPRESSION 375 00:17:32,160 --> 00:17:34,600 YOU TWO WERE HEADING IN THAT DIRECTION. 376 00:17:34,630 --> 00:17:37,600 WELL, I KNOW. WE HADN'T BEEN, BUT IT'S GOOD FOR THEO, 377 00:17:37,630 --> 00:17:39,660 AND KATIE'S BEEN TAKING CARE OF HIM 378 00:17:39,700 --> 00:17:42,160 EVER SINCE HIS MOM PASSED. 379 00:17:42,200 --> 00:17:45,570 ANDY, I HOPE YOU DON'T TAKE THIS THE WRONG WAY, 380 00:17:45,600 --> 00:17:47,940 AND I'M ONLY GOING TO SAY THIS 381 00:17:47,970 --> 00:17:50,270 BECAUSE I DO CARE ABOUT YOU ‐‐ 382 00:17:50,310 --> 00:17:52,140 CYNTHIA ‐‐ HEAR ME OUT. 383 00:17:52,180 --> 00:17:53,920 YOU'RE A GOOD MAN, 384 00:17:53,950 --> 00:17:57,520 AND I KNOW YOU LOVE YOUR SON VERY MUCH, 385 00:17:57,550 --> 00:17:59,410 BUT I THINK YOU SHOULD CONSIDER 386 00:17:59,450 --> 00:18:00,750 IF THIS IS GOOD FOR YOU, 387 00:18:00,790 --> 00:18:02,630 BECAUSE IF IT'S NOT GOOD FOR YOU 388 00:18:02,650 --> 00:18:03,790 IN THE LONG RUN, 389 00:18:03,820 --> 00:18:05,620 IT ISN'T GOING TO BE GOOD FOR THEO. 390 00:18:05,660 --> 00:18:08,200 WELL, THERE'S MORE TO IT EVERY DIRECTION. 391 00:18:08,230 --> 00:18:10,500 KNOWING WHAT'S GOOD AND WHAT'S NOT ‐‐ 392 00:18:10,530 --> 00:18:12,030 GOT TO BE CLAIRVOYANT. 393 00:18:12,060 --> 00:18:14,060 AMEN. 394 00:18:20,200 --> 00:18:22,170 I HOPE IT WORKS OUT FOR YOU. 395 00:18:26,650 --> 00:18:28,450 UH, RIGHT, THANKS. 396 00:18:28,480 --> 00:18:30,150 HEY, CONNIE. 397 00:18:30,180 --> 00:18:32,610 OCCB SAYS THESE GUYS AT TAILFEATHERS 398 00:18:32,650 --> 00:18:35,020 ARE HOOKED UP PRETTY GOOD WITH THE GAMBINO CRIME FAMILY. 399 00:18:35,050 --> 00:18:36,450 SHOCKING FOR A TOPLESS JOINT. 400 00:18:36,490 --> 00:18:37,800 YEAH, THE OWNERS ARE FRONTING 401 00:18:37,820 --> 00:18:39,290 FOR WISEGUYS DOING BUSINESS OUT OF THERE ‐‐ 402 00:18:39,320 --> 00:18:40,660 DRUGS AND MONEY LAUNDERING. 403 00:18:40,690 --> 00:18:41,960 MANHATTAN D. A.'s OFFICE ‐‐ 404 00:18:41,990 --> 00:18:43,960 THEY HAD THE PLACE UP FOR SIX MONTHS, 405 00:18:44,000 --> 00:18:45,500 BUT THEY COULDN'T GET ANYTHING SOLID. 406 00:18:45,530 --> 00:18:47,030 APPARENTLY, THEY'RE PRETTY SLICK. 407 00:18:47,070 --> 00:18:49,370 THINKING MAYBE THIS LANA SOMEHOW GOT IN THE MIDDLE 408 00:18:49,400 --> 00:18:50,870 OF SOMETHING SHE SHOULDN'T HAVE? 409 00:18:50,900 --> 00:18:53,800 IT'S POSSIBLE. SO WHAT DID DIANE HAVE TO SAY? 410 00:18:53,840 --> 00:18:56,910 MOSTLY APOLOGIZED FOR NOT SAYING GOOD‐BYE IN PERSON. 411 00:18:56,940 --> 00:18:59,710 YEAH, DID SHE SAY ANYTHING ABOUT HER FUTURE PLANS? 412 00:18:59,740 --> 00:19:01,980 NOTHING SPECIFIC. 413 00:19:02,010 --> 00:19:03,140 TAKE CARE, ANDY. 414 00:19:03,180 --> 00:19:04,710 YEAH, YOU, TOO. 415 00:19:06,950 --> 00:19:10,220 HEY, ANDY, BALDWIN AND ME NEED YOUR HELP. 416 00:19:10,250 --> 00:19:13,020 WHAT ARE WE TALKING ABOUT? I'M WORKING A HOMICIDE. 417 00:19:13,060 --> 00:19:15,270 GOT A PATTERN. ELDERLY, ROBBED IN THE STREET 418 00:19:15,290 --> 00:19:16,990 FIRST OF THE MONTH COMING OUT OF A BANK. 419 00:19:17,030 --> 00:19:18,360 ONE TODAY TURNED UP D. O. A. 420 00:19:18,400 --> 00:19:20,540 I WANT TO PUT TOGETHER A DECOY OPERATION. 421 00:19:20,570 --> 00:19:21,870 YOU WANT ME POSING AS AN OLD MAN? 422 00:19:21,900 --> 00:19:23,330 WHAT'S WRONG WITH MEDAVOY? 423 00:19:23,370 --> 00:19:26,380 GREG'S ALREADY ON BOARD. WORKS BEST WITH TWO, AND SAFER. 424 00:19:26,400 --> 00:19:29,000 IT'S THE FIRST OF THE MONTH. 425 00:19:29,040 --> 00:19:31,040 THAT'S A LIMITED WINDOW OF OPPORTUNITY. 426 00:19:31,080 --> 00:19:33,790 HEY, GREAT. 427 00:19:36,720 --> 00:19:38,420 THIS I'D PAY TO SEE. 428 00:19:38,450 --> 00:19:39,780 PUT ME DOWN, TOO. 429 00:19:39,820 --> 00:19:43,180 LIEUTENANT, BUSY DAY. 430 00:19:43,220 --> 00:19:47,220 D.O.A., ALLEY OFF 4th STREET BETWEEN B AND C. 431 00:19:47,260 --> 00:19:49,590 WHAT, SO CONNIE AND ME? 432 00:19:49,630 --> 00:19:50,760 RIGHT. 433 00:20:03,910 --> 00:20:06,610 COME ON, DANNY. I'M SURE SHE'LL CALL YOU. 434 00:20:06,650 --> 00:20:10,460 YEAH, WELL, EITHER SHE WILL OR SHE WON'T, I GUESS. 435 00:20:10,480 --> 00:20:11,450 SHE WILL. 436 00:20:11,480 --> 00:20:12,750 WHAT DO YOU GOT? 437 00:20:12,780 --> 00:20:14,580 BOTTLE PICKER FOUND HIM, CALLED IT IN. 438 00:20:14,620 --> 00:20:16,420 NO WITNESSES CAME UP AND SAID THEY SAW. 439 00:20:16,450 --> 00:20:18,650 ALL RIGHT, SO WE'RE NOT TALKING GROUND BALL HERE. 440 00:20:18,690 --> 00:20:21,160 MAYBE SOMEONE WHO LIVES BACK IN ONE OF THESE BUILDINGS 441 00:20:21,190 --> 00:20:22,160 HEARD SOMETHING. 442 00:20:22,190 --> 00:20:23,420 THANKS. 443 00:20:27,330 --> 00:20:29,300 LOOKS LIKE TWO ENTRY WOUNDS ‐‐ 444 00:20:29,330 --> 00:20:31,970 ONE IN THE CHEST AND ONE BACK OF THE HEAD. 445 00:20:32,000 --> 00:20:33,970 BIG HOLES. FIGURE LARGE‐CALIBER GUN. 446 00:20:34,010 --> 00:20:35,950 DON'T LOOK LIKE HE'S DEAD THAT LONG. 447 00:20:35,970 --> 00:20:37,270 NOT A LOT OF BLOOD AROUND. 448 00:20:37,310 --> 00:20:39,270 NO, LOOKS LIKE HE'S SHOT SOMEPLACE ELSE. 449 00:20:39,310 --> 00:20:41,440 DUMP JOB. WE GOT A WALLET. 450 00:20:41,480 --> 00:20:46,920 MONEY'S STILL THERE, SO IT WASN'T A ROBBERY. 451 00:20:46,950 --> 00:20:49,590 I.D. SAYS HE'S MICHAEL GILLESPIE, 452 00:20:49,620 --> 00:20:51,120 1162 LUDLOW STREET. 453 00:20:51,160 --> 00:20:54,800 MICHAEL GILLESPIE, AS IN LANA CORSO'S BOYFRIEND? 454 00:20:54,830 --> 00:20:55,930 LOOKS LIKE. 455 00:20:55,960 --> 00:20:58,530 I GUESS THAT'S WHY HE WASN'T HOME 456 00:20:58,560 --> 00:21:01,430 AND NO ONE'S HEARD FROM HIM AT WORK. 457 00:21:01,470 --> 00:21:02,940 SON OF A BITCH. 458 00:21:02,970 --> 00:21:04,980 WE GOT A MYSTERY HERE. 459 00:21:13,510 --> 00:21:17,780 WE APPRECIATE YOU HELPING OUT, ANDY. 460 00:21:17,820 --> 00:21:18,960 YEAH. 461 00:21:18,980 --> 00:21:21,280 I GOT TO SAY, THOSE STREET CRIME GUYS 462 00:21:21,320 --> 00:21:23,150 DID ONE HELL OF A JOB ON ME. 463 00:21:23,190 --> 00:21:25,800 ARE YOU SAYING THEY DID A LOUSY JOB ON ME? 464 00:21:25,820 --> 00:21:27,220 NAH, BUT YOU GOT TO ADMIT, 465 00:21:27,260 --> 00:21:29,690 WITH YOU THEY DIDN'T HAVE TO DO THAT MUCH. 466 00:21:29,730 --> 00:21:31,860 YOU THINK YOU LOOK YOUNGER THAN I DO 467 00:21:31,900 --> 00:21:34,040 'CAUSE OF THAT CARROT TOP YOU DIP IN PAINT 468 00:21:34,070 --> 00:21:35,240 TWICE A MONTH? 469 00:21:35,270 --> 00:21:37,510 WHAT ARE YOU TALKING ABOUT? I DON'T DYE MY HAIR. 470 00:21:37,540 --> 00:21:39,340 YEAH, OKAY, MEDAVOY, WHATEVER YOU SAY. 471 00:21:39,370 --> 00:21:40,470 ONLY DO ME A FAVOR, HUH? 472 00:21:40,500 --> 00:21:42,340 YOU'RE GOING TO KEEP YOUR HAIR THAT RED, 473 00:21:42,370 --> 00:21:44,370 YOU GOT TO TALK WITH AN IRISH BROGUE 474 00:21:44,410 --> 00:21:45,510 LIKE THAT LEPRECHAUN 475 00:21:45,540 --> 00:21:47,510 WITH THE MARSHMALLOW CEREAL ON TV. 476 00:21:47,550 --> 00:21:51,520 OKAY, LET'S NOT SAY ANYTHING MORE WE MIGHT REGRET. 477 00:21:51,550 --> 00:21:54,380 AHEM. STILL NO ONE LOOKS LIKE YOUR GUY. 478 00:21:54,420 --> 00:21:57,350 YEAH. WE COULD BE HERE A WHILE. 479 00:21:57,390 --> 00:21:58,690 AT LEAST YOU GET TO SIT. 480 00:21:58,720 --> 00:22:01,060 A SPECIAL PREVIEW OF MY GOLDEN YEARS, 481 00:22:01,090 --> 00:22:04,190 PARADING IN AND OUT OF HERE LIKE THE SUNSHINE BOYS, 482 00:22:04,230 --> 00:22:05,590 WAITING TO GET MUGGED. 483 00:22:05,630 --> 00:22:08,100 WHAT DO YOU SAY WE GET BACK IN LINE? 484 00:22:08,130 --> 00:22:09,600 YEAH, COME ON. 485 00:22:09,630 --> 00:22:12,130 GIVE ME A PUSH THERE, SONNY BOY. 486 00:22:17,640 --> 00:22:19,270 Woman: NEXT IN LINE, PLEASE. 487 00:22:23,820 --> 00:22:26,220 HELLO THERE. 488 00:22:28,920 --> 00:22:30,750 SEE YOU NEXT MONTH. 489 00:22:30,790 --> 00:22:32,120 HAVE A NICE DAY. 490 00:22:32,160 --> 00:22:33,130 AHEM. 491 00:22:33,160 --> 00:22:34,170 Got it. 492 00:22:45,570 --> 00:22:47,600 WE GOT COMPANY. 493 00:22:47,640 --> 00:22:49,570 EASY, MEDAVOY. 494 00:22:49,610 --> 00:22:51,070 NICE AND SLOW. 495 00:22:51,110 --> 00:22:52,770 HEY, YO, POPS, WAIT UP. 496 00:22:52,810 --> 00:22:54,210 PLEASE DON'T HURT US. WHAT? WHAT? WHAT? 497 00:22:54,250 --> 00:22:55,820 DO WHAT YOU'RE TOLD, MAYBE YOU WON'T GET HURT. 498 00:22:55,850 --> 00:22:58,260 WHAT DO YOU WANT? WHAT YOU THINK WE WANT? 499 00:22:58,280 --> 00:22:59,820 LET'S SEE THE MONEY YOU GOT OUT THE BANK. 500 00:22:59,850 --> 00:23:01,920 OKAY, OLD MAN, GOVERNMENT CHECK DAY. 501 00:23:01,950 --> 00:23:03,820 I SAW YOU TAKE THE CASH OUT THE BANK, 502 00:23:03,860 --> 00:23:05,600 SO DON'T BE PLAYING DUMB WITH US. 503 00:23:05,620 --> 00:23:07,960 NO, WE WOULDN'T DO THAT. ANDY, GIVE THEM THE MONEY. 504 00:23:07,990 --> 00:23:09,590 HERE'S YOUR MONEY, ASSHOLE. 505 00:23:12,300 --> 00:23:14,940 HOLD IT RIGHT THERE! 506 00:23:20,440 --> 00:23:22,770 AAH! YOU DON'T GOT TO DO THAT! 507 00:23:22,810 --> 00:23:24,150 TAKE IT EASY, MY MAN. 508 00:23:24,180 --> 00:23:27,150 WHO'S THE OLD MAN NOW, HUH, SCUMBAG? 509 00:23:43,330 --> 00:23:46,670 HEY, WE PUT RASHON AND MICHAEL IN SEPARATE ROOMS. 510 00:23:46,700 --> 00:23:48,260 AND MRS. SIMONS IS COMING UP FOR THE LINEUP. 511 00:23:48,300 --> 00:23:49,970 UH, DETECTIVE MEDAVOY? 512 00:23:50,000 --> 00:23:52,130 DETECTIVE RUSSELL CALLED FOR YOU. 513 00:23:52,170 --> 00:23:53,200 OH, THANKS. 514 00:23:56,210 --> 00:23:58,180 DID YOU TALK TO HER? 515 00:23:58,210 --> 00:23:59,310 AHEM. NO. 516 00:23:59,340 --> 00:24:01,380 SHE'LL CALL. 517 00:24:01,410 --> 00:24:04,480 AHEM. SO, UM, THAT D. O. A. IN THE ALLEY ‐‐ 518 00:24:04,520 --> 00:24:06,220 THAT WAS MIKE GILLESPIE. 519 00:24:06,250 --> 00:24:09,520 MIKE GILLESPIE, AS IN LANA CORSO'S BOYFRIEND? 520 00:24:09,550 --> 00:24:10,790 ONE AND THE SAME. 521 00:24:10,820 --> 00:24:11,950 YOU GET ANYTHING OUT OF IT? 522 00:24:11,990 --> 00:24:13,860 DUMP JOB. NO WITNESSES. 523 00:24:15,590 --> 00:24:17,130 MAY I HELP YOU? 524 00:24:17,160 --> 00:24:19,730 UH, DETECTIVE SORENSON? 525 00:24:19,760 --> 00:24:22,330 KRISTEN, HI. THIS IS MY PARTNER ANDY SIPOWICZ. 526 00:24:22,370 --> 00:24:24,680 I HEARD MIKE GILLESPIE'S DEAD. 527 00:24:24,700 --> 00:24:28,240 UH, WHY DON'T WE GO TALK ABOUT IT IN HERE? 528 00:24:28,270 --> 00:24:32,870 GUESS NEWS TRAVELS FAST IN THE TITTY BAR GRAPEVINE. 529 00:24:35,450 --> 00:24:36,820 RIGHT THERE. 530 00:24:36,850 --> 00:24:40,220 DETECTIVE McDOWELL, KRISTEN MOORE. 531 00:24:40,250 --> 00:24:41,580 HI, KRISTEN. 532 00:24:41,620 --> 00:24:43,920 HEY, HAVE A SEAT. 533 00:24:43,960 --> 00:24:46,000 GET YOU SOMETHING TO DRINK? 534 00:24:46,020 --> 00:24:48,920 NO, THANK YOU. 535 00:24:48,960 --> 00:24:51,690 I DIDN'T TELL YOU EVERYTHING BEFORE, 536 00:24:51,730 --> 00:24:53,530 BUT I WAS SCARED. 537 00:24:53,570 --> 00:24:54,710 I'M SORRY. 538 00:24:54,730 --> 00:24:57,270 IT'S OKAY. TELL US NOW. 539 00:24:57,300 --> 00:25:00,600 I JUST CAN'T HELP THINKING IF I'D SAID SOMETHING, 540 00:25:00,640 --> 00:25:03,340 MAYBE LANA WOULDN'T BE DEAD...OR MIKE. 541 00:25:03,370 --> 00:25:04,670 SAID SOMETHING ABOUT WHAT? 542 00:25:04,710 --> 00:25:06,540 WELL, I DIDN'T WANT TO LOSE MY JOB. 543 00:25:06,580 --> 00:25:08,440 NO ONE LIKES IT IF YOU TALK TOO MUCH, 544 00:25:08,480 --> 00:25:10,350 AND SINCE MY MOM DIED, WE'RE ALONE. 545 00:25:10,380 --> 00:25:12,280 I'M PUTTING MY BROTHER THROUGH SCHOOL, 546 00:25:12,320 --> 00:25:13,690 AND DANCING AT THE CLUB ‐‐ 547 00:25:13,720 --> 00:25:15,880 I COULDN'T MAKE THAT KIND OF MONEY ANYPLACE ELSE. 548 00:25:15,920 --> 00:25:18,690 KRISTEN, WHAT ARE WE TALKING ABOUT? 549 00:25:18,720 --> 00:25:22,290 FRANK RUSSO, 550 00:25:22,330 --> 00:25:23,940 THE NIGHT BAR MAN AT THE CLUB ‐‐ 551 00:25:23,960 --> 00:25:25,290 HE'S ALWAYS HITTING ON ME. 552 00:25:25,330 --> 00:25:26,700 THE LAST COUPLE OF WEEKS, 553 00:25:26,730 --> 00:25:28,900 HE'S GOT ALL THESE QUESTIONS ABOUT LANA. 554 00:25:28,930 --> 00:25:30,130 WHAT KIND OF QUESTIONS? 555 00:25:30,170 --> 00:25:33,070 LIKE DOES SHE GO TO THE GYM EVERY DAY, 556 00:25:33,100 --> 00:25:34,640 HOW MUCH MONEY DO I THINK SHE'S MADE 557 00:25:34,670 --> 00:25:36,040 OFF SELLING JEWELRY, 558 00:25:36,070 --> 00:25:38,310 DOES SHE KEEP THE STUFF SHE SELLS AT HER PLACE? 559 00:25:38,340 --> 00:25:40,380 WE GOT THE PERSONNEL RECORDS. 560 00:25:40,410 --> 00:25:42,880 LET ME GO RUN THIS GUY IN THE COMPUTER. 561 00:25:42,910 --> 00:25:43,880 EXCUSE ME. 562 00:25:43,920 --> 00:25:45,260 YOU THINK HE'S INVOLVED? 563 00:25:45,280 --> 00:25:48,050 FIRST, I THOUGHT MAYBE HE'S HOT FOR HER. 564 00:25:48,090 --> 00:25:50,930 THEN ONE NIGHT, MIKE COMES IN THE CLUB, 565 00:25:50,960 --> 00:25:52,560 AND LANA WASN'T EVEN DANCING. 566 00:25:52,590 --> 00:25:54,320 I SAW FRANK AND HIM TALKING. 567 00:25:54,360 --> 00:25:55,720 DID YOU HEAR WHAT THEY WERE SAYING? 568 00:25:55,760 --> 00:25:58,830 NOW I'M LIKE, MAYBE IT WAS FRANK WHO KILLED LANA, 569 00:25:58,860 --> 00:26:01,130 AND HE KILLED MIKE TO SHUT HIM UP. 570 00:26:01,170 --> 00:26:03,610 FRANK ‐‐ HE'S PRETTY TWISTED. 571 00:26:03,640 --> 00:26:05,680 WHAT IF HE THINKS I KNOW SOMETHING? 572 00:26:05,700 --> 00:26:07,800 WHAT SHOULD I DO? 573 00:26:07,840 --> 00:26:10,170 IT'S GOING TO BE OKAY, KRISTEN. 574 00:26:10,210 --> 00:26:13,010 YOU DID THE RIGHT THING BY COMING IN. 575 00:26:13,040 --> 00:26:15,310 I JUST FEEL SO BAD ABOUT LANA. 576 00:26:15,350 --> 00:26:17,990 AHEM. 577 00:26:20,850 --> 00:26:22,980 WE'LL BE RIGHT BACK. 578 00:26:26,220 --> 00:26:28,620 I SAY WE WIRE HER UP. THIS RUSSO'S GOT A THING FOR HER, 579 00:26:28,660 --> 00:26:30,030 MAYBE SHE GETS HIM TO TALK. 580 00:26:30,060 --> 00:26:31,460 WHAT, USE HER AS BAIT? 581 00:26:31,500 --> 00:26:33,810 YOU CAN SEE SHE'S ALREADY SCARED HALF TO DEATH OF THIS ASSHOLE. 582 00:26:33,830 --> 00:26:36,000 AND THIS ASSHOLE COULD HAVE KILLED TWO PEOPLE. 583 00:26:36,030 --> 00:26:37,470 WE GET THIS GUY OFF THE STREET, 584 00:26:37,500 --> 00:26:39,840 THE GIRL IN THERE'S SAFE, AND HE CAN'T KILL ANYONE ELSE. 585 00:26:39,870 --> 00:26:42,470 FRANK RUSSO ‐‐ ONE PREVIOUS COLLAR FOR BAD CHECKS. 586 00:26:42,510 --> 00:26:44,820 LET'S GET A PHOTO ARRAY WITH THIS 587 00:26:44,840 --> 00:26:46,880 AND A PICTURE OF GILLESPIE OVER TO THAT JEWELER, 588 00:26:46,910 --> 00:26:48,040 SEE IF HE PICKS HIM OUT AS WHO WE SAW 589 00:26:48,080 --> 00:26:49,980 LEAVING LANA'S PLACE THIS MORNING. 590 00:26:50,010 --> 00:26:51,310 CLUB'S HARD TO CONTROL. 591 00:26:51,350 --> 00:26:53,510 MAYBE WE COULD SET UP IN HER APARTMENT. 592 00:26:53,550 --> 00:26:55,520 I'LL CALL THE D. A.'s OFFICE. 593 00:27:03,560 --> 00:27:06,060 SO, I GET FRANK TO COME IN MY PLACE 594 00:27:06,100 --> 00:27:07,810 AND SEE IF I CAN GET HIM 595 00:27:07,830 --> 00:27:10,370 TALKING ABOUT WHAT HAPPENED TO LANA. 596 00:27:10,400 --> 00:27:11,570 THAT'S THE IDEA. 597 00:27:11,600 --> 00:27:13,800 MAYBE GET HIM TO THINK YOU'RE GOING TO TAKE OVER 598 00:27:13,840 --> 00:27:15,570 SELLING JEWELS, AND OFFER HIM A PIECE OF THE ACTION. 599 00:27:15,610 --> 00:27:16,850 PLAY UP TO HIM. 600 00:27:16,880 --> 00:27:18,850 I THINK I CAN GET HIM TO SAY SOMETHING. 601 00:27:18,880 --> 00:27:20,850 HE'S NOT REALLY SO SMART. 602 00:27:20,880 --> 00:27:23,240 WELL, YOU DON'T HAVE TO GET HIM TO SAY HE KILLED HER. 603 00:27:23,280 --> 00:27:25,250 ALL WE NEED IS SOME CORROBORATION 604 00:27:25,280 --> 00:27:26,680 HE WAS THERE THIS MORNING. 605 00:27:26,720 --> 00:27:28,580 AND YOU THINK I'LL BE SAFE IN THERE? 606 00:27:28,620 --> 00:27:31,850 WE'D BE SET UP NEARBY WATCHING THE WHOLE THING ON VIDEO, 607 00:27:31,890 --> 00:27:34,090 SO IF HE TRIES ANYTHING, WE CAN COME RIGHT IN. 608 00:27:34,130 --> 00:27:35,200 AS SOON AS YOU GET HIM IN THERE, 609 00:27:35,230 --> 00:27:36,600 WE'LL HAVE COPS RIGHT OUTSIDE YOUR DOOR. 610 00:27:36,630 --> 00:27:37,990 AND THE REASON WE'RE SUGGESTING 611 00:27:38,030 --> 00:27:39,660 YOUR APARTMENT IS IF YOU GIVE PERMISSION 612 00:27:39,700 --> 00:27:41,360 FOR A VIDEO CAMERA, THEN THE OTHER PERSON 613 00:27:41,400 --> 00:27:44,700 DOESN'T NEED TO KNOW THEY'RE BEING FILMED. 614 00:27:44,740 --> 00:27:45,880 I UNDERSTAND. 615 00:27:45,900 --> 00:27:47,870 KRISTEN, IF YOU'RE NOT UP FOR THIS, 616 00:27:47,910 --> 00:27:49,620 NOW'S THE TIME TO SAY SO. 617 00:27:49,640 --> 00:27:52,710 WELL, I'M NOT SAYING THAT I'M NOT SCARED, 618 00:27:52,740 --> 00:27:55,210 BUT I WANT TO DO THIS FOR LANA. 619 00:27:55,250 --> 00:27:56,450 OKAY, THEN. 620 00:27:56,480 --> 00:27:59,050 ALSO, IF I COULD HELP YOU ARREST HIM, 621 00:27:59,080 --> 00:28:00,850 I DON'T HAVE TO WORRY ANYMORE 622 00:28:00,890 --> 00:28:03,730 ABOUT HIM DOING SOMETHING BAD TO ME. 623 00:28:03,760 --> 00:28:07,930 DID I MISS HIM? WAS HE IN THERE? 624 00:28:07,960 --> 00:28:10,860 MRS. SIMONS, DON'T BE CONCERNED YOU DIDN'T RECOGNIZE 625 00:28:10,900 --> 00:28:13,040 ANYONE THAT TIME. 626 00:28:13,060 --> 00:28:14,560 MAYBE IN THE NEXT BUNCH. 627 00:28:14,600 --> 00:28:16,900 SO THE MAN WHO KILLED MY HUSBAND ‐‐ 628 00:28:16,940 --> 00:28:18,410 HE COULD BE IN THIS ONE? 629 00:28:18,440 --> 00:28:19,710 WE DON'T KNOW THAT. 630 00:28:19,740 --> 00:28:22,940 MRS. SIMONS, A. D. A. VALERIE HAYWARD. 631 00:28:22,970 --> 00:28:24,110 YOU READY? 632 00:28:24,140 --> 00:28:27,480 TELL US IF YOU RECOGNIZE ANYONE. 633 00:28:30,410 --> 00:28:33,850 DO YOU RECOGNIZE ANYONE? 634 00:28:35,150 --> 00:28:36,750 NUMBER FOUR. 635 00:28:36,790 --> 00:28:38,890 WHERE DO YOU RECOGNIZE HIM FROM? 636 00:28:38,920 --> 00:28:41,460 HE'S THE BOY WHO ATTACKED US THIS MORNING. 637 00:28:41,490 --> 00:28:43,420 HE'S WHO TOOK MARTY'S RING 638 00:28:43,460 --> 00:28:45,360 AND MURDERED HIM. 639 00:28:49,370 --> 00:28:52,480 OKAY, MRS. SIMONS, THAT'S A BIG HELP. 640 00:29:02,950 --> 00:29:05,420 BEFORE Y'ALL START UP, LET ME JUST SAY, 641 00:29:05,450 --> 00:29:07,250 MY COUSIN OMAR ‐‐ HE'S A LAWYER. 642 00:29:07,290 --> 00:29:10,960 HEY, THAT'S GOOD FOR OMAR. BET HIS MAMA'S PROUD. 643 00:29:10,990 --> 00:29:13,020 GUESS GOOD THING WE GAVE MICHAEL HERE HIS RIGHTS 644 00:29:13,060 --> 00:29:14,500 IN THE CAR ON THE WAY OVER. 645 00:29:14,530 --> 00:29:16,270 YEAH, OMAR WOULD CATCH US ON THAT FOR SURE. 646 00:29:16,290 --> 00:29:17,630 YO, IT'S YOUR CALL, MICHAEL. 647 00:29:17,660 --> 00:29:19,090 YOU WANT TO PHONE OMAR OR HEAR US OUT? 648 00:29:19,130 --> 00:29:20,630 CAN I ASK YOU SOMETHING FIRST? 649 00:29:20,670 --> 00:29:22,440 LIKE WHAT? 650 00:29:22,470 --> 00:29:24,310 LOOK, WHAT YOU HAD ME STAND IN A LINEUP FOR 651 00:29:24,340 --> 00:29:26,140 WHEN THREE DAMN COPS ALREADY GOING TO SAY 652 00:29:26,170 --> 00:29:27,670 I TRIED TO ROB THEM? 653 00:29:27,710 --> 00:29:29,450 SEE THAT? MICHAEL'S SMART, TOO. 654 00:29:29,470 --> 00:29:31,470 YOU SHOULD BE MORE LIKE YOUR COUSIN, 655 00:29:31,510 --> 00:29:32,810 PUT THAT MIND TO BETTER USE. 656 00:29:32,840 --> 00:29:34,310 WHERE WERE YOU THIS MORNING, MICHAEL? 657 00:29:34,350 --> 00:29:35,650 MY OLD LADY LULU'S. 658 00:29:35,680 --> 00:29:37,350 WE WAS OUT PARTYING LAST NIGHT. 659 00:29:37,380 --> 00:29:39,180 THIS MORNING WE WAS HUNG OVER, 660 00:29:39,220 --> 00:29:40,360 SO WE STAYED IN BED. 661 00:29:40,380 --> 00:29:42,480 SO YOU'RE SAYING THAT LULU CAN VOUCH 662 00:29:42,520 --> 00:29:43,650 FOR YOUR WHEREABOUTS. 663 00:29:43,690 --> 00:29:45,050 GIVE ME A PHONE. 664 00:29:46,860 --> 00:29:48,820 WHAT'S SO DAMN FUNNY? 665 00:29:48,860 --> 00:29:51,030 YOU KNOW, SEE, IN THAT LINEUP, 666 00:29:51,060 --> 00:29:52,330 A WITNESS JUST NOW PICKED YOU OUT 667 00:29:52,360 --> 00:29:54,030 ROBBING AN OLD MAN THIS MORNING 668 00:29:54,070 --> 00:29:55,470 YOU FOLLOWED OUT OF THAT SAME BANK. 669 00:29:55,500 --> 00:29:57,900 YOU KNOW THAT'S WHY WE PUT YOU IN THAT LINEUP, MICHAEL. 670 00:29:57,940 --> 00:30:00,010 WE JUST WANTED TO MAKE SURE WHAT YOU ALREADY KNOW. 671 00:30:00,040 --> 00:30:01,000 I AIN'T SAYING I DID. 672 00:30:01,040 --> 00:30:02,540 WE KNOW IT WAS YOU, MICHAEL. 673 00:30:02,570 --> 00:30:03,670 WE GOT WITNESSES. 674 00:30:03,710 --> 00:30:05,810 IT'S THE SAME PATTERN WE CAUGHT YOU OFF JUST NOW, 675 00:30:05,840 --> 00:30:06,980 SO DON'T BE LYING TO US. 676 00:30:07,010 --> 00:30:09,880 THE THING IS, THAT OLD GUY'S WIFE ‐‐ 677 00:30:09,910 --> 00:30:12,650 SHE'S BEEN BUGGING US IF WE FOUND WHO ROBBED HIM, 678 00:30:12,680 --> 00:30:14,850 ABOUT A RING THAT GOT TAKEN. 679 00:30:14,890 --> 00:30:17,160 YOU HELPED US, GIVING US A HEADS‐UP 680 00:30:17,190 --> 00:30:18,690 WHAT YOU DID WITH THAT RING, 681 00:30:18,720 --> 00:30:21,220 WE COULD GET YOU SOME CONSIDERATION. 682 00:30:21,260 --> 00:30:23,260 HELPING YOU FIND THIS RING, 683 00:30:23,290 --> 00:30:25,590 THAT WOULD HELP ME OUT? 684 00:30:25,630 --> 00:30:29,200 ALL RIGHT. I GOT IT. 685 00:30:29,230 --> 00:30:31,200 WHERE? 686 00:30:31,240 --> 00:30:33,710 TOP DRAWER, DRESSER IN MY APARTMENT. 687 00:30:33,740 --> 00:30:36,270 WRITE DOWN THE ADDRESS. 688 00:30:38,910 --> 00:30:41,280 THIS GOING TO GIVE ME SOME CONSIDERATION? 689 00:30:41,310 --> 00:30:43,750 WE'LL DEFINITELY TELL THE D.A. YOU WERE COOPERATIVE. 690 00:30:49,090 --> 00:30:52,230 SEE, THE ONLY PROBLEM IS, MICHAEL, THAT OLD MAN DIED. 691 00:30:52,260 --> 00:30:55,230 AS FAR AS THE LAW'S CONCERNED, THAT MEANS YOU KILLED HIM. 692 00:30:55,260 --> 00:30:58,090 YOU'RE TELLING ME THAT OLD MAN DIED? 693 00:31:00,600 --> 00:31:02,130 TOUGH LUCK, HUH, MICHAEL? 694 00:31:02,170 --> 00:31:05,240 MAN, I DIDN'T EVEN WANT TO HURT THAT DUDE. 695 00:31:05,270 --> 00:31:07,500 WHY DIDN'T HE JUST GIVE UP THE DAMN RING? 696 00:31:19,280 --> 00:31:21,320 SO RUSSO TOLD KRISTEN TO BE HERE 697 00:31:21,350 --> 00:31:24,090 OVER 20 MINUTES AGO. 698 00:31:24,120 --> 00:31:26,020 [ DOORBELL BUZZES ] HERE WE GO. 699 00:31:30,260 --> 00:31:31,230 HI. 700 00:31:31,260 --> 00:31:32,290 HEY. 701 00:31:34,170 --> 00:31:35,770 TAKE OFF YOUR COAT. 702 00:31:38,970 --> 00:31:41,440 IT WAS A NICE SURPRISE, YOU INVITING ME OVER. 703 00:31:41,470 --> 00:31:43,340 I DIDN'T THINK YOU EVEN LIKED ME. 704 00:31:43,370 --> 00:31:45,640 WELL, I HAD TO ACT LIKE THAT AT THE CLUB. 705 00:31:45,680 --> 00:31:47,850 I MEAN, ED AND JOEY DON'T LIKE US GIRLS 706 00:31:47,880 --> 00:31:49,440 DATING EMPLOYEES. 707 00:31:49,480 --> 00:31:52,110 YOU WANT SOMETHING TO DRINK? I GOT BEER. 708 00:31:52,150 --> 00:31:53,850 YEAH, BEER'S GOOD. 709 00:31:59,190 --> 00:32:00,690 LET ME LAY THIS RIGHT OUT. 710 00:32:00,730 --> 00:32:03,640 I DON'T WANT HAPPENING TO ME WHAT HAPPENED TO LANA. 711 00:32:03,660 --> 00:32:05,960 I GUESS NOT. 712 00:32:06,000 --> 00:32:08,810 'CAUSE IF WHAT HAPPENED TO HER WAS 'CAUSE SHE WAS STUPID 713 00:32:08,830 --> 00:32:10,200 AND SHE WOULDN'T PLAY BALL, 714 00:32:10,230 --> 00:32:12,030 I'M NOT MAKING THAT SAME MISTAKE. 715 00:32:12,070 --> 00:32:13,100 I DON'T FOLLOW YOU. 716 00:32:13,140 --> 00:32:14,880 WHAT'S ALL THIS CRAP ABOUT LANA? 717 00:32:14,910 --> 00:32:16,510 ALL I'M SAYING IS, YOU KNOW, 718 00:32:16,540 --> 00:32:18,710 WHATEVER YOU HAD TO DO, THAT'S COOL. 719 00:32:18,740 --> 00:32:20,710 WHAT I'M THINKING IS I CAN TAKE HER PLACE 720 00:32:20,750 --> 00:32:22,720 SELLING JEWELS AT THE CLUB. 721 00:32:22,750 --> 00:32:24,390 SO I'M COMING TO YOU FIRST TO SAY 722 00:32:24,420 --> 00:32:25,660 YOU AND ME CAN BE PARTNERS. 723 00:32:25,680 --> 00:32:28,450 ANYTHING I MAKE, YOU GET HALF. 724 00:32:28,490 --> 00:32:31,360 LOOK, BABE, COME ON, ENOUGH TALK. 725 00:32:33,390 --> 00:32:35,660 THIS GUY'S A MAJOR ASSHOLE. EASY, DANNY. 726 00:32:35,690 --> 00:32:38,160 HE'S NOT INTERESTED IN NOTHING BUT THROWING A HUMP IN HER. 727 00:32:38,200 --> 00:32:40,510 FRANK, COME ON. I WANT TO GET THIS STRAIGHT. 728 00:32:40,530 --> 00:32:42,530 SURE, WE'RE PARTNERS. 729 00:32:42,570 --> 00:32:44,180 HOW ABOUT SHOWING ME WE'RE PARTNERS? 730 00:32:44,200 --> 00:32:45,570 COME ON, ANDY, LET'S GO. 731 00:32:45,600 --> 00:32:46,670 JUST WAIT. 732 00:32:46,710 --> 00:32:48,510 FRANK, THAT'S ENOUGH. I DON'T WANT TO. 733 00:32:48,540 --> 00:32:50,370 WHAT IS THIS, SOME KIND OF PRICK TEASE? 734 00:32:50,410 --> 00:32:52,040 YOU ASK A GUY OVER TO YOUR HOUSE, 735 00:32:52,080 --> 00:32:53,350 AND THEN YOU DON'T WANT TO? 736 00:32:53,380 --> 00:32:56,090 I ASKED YOU OVER BECAUSE I WANT TO TALK ABOUT BUSINESS, 737 00:32:56,110 --> 00:32:57,250 IN PRIVATE. 738 00:32:57,280 --> 00:32:58,880 I DON'T THINK SO. 739 00:33:00,020 --> 00:33:02,320 LET'S GO. JUST WAIT. IT'S NOT ENOUGH. 740 00:33:02,350 --> 00:33:04,490 THAT'S A NICE BLOUSE. 741 00:33:04,520 --> 00:33:06,990 YOU WEARING A BRA UNDER THAT, HMM? 742 00:33:07,030 --> 00:33:08,900 HEY, COME ON! DON'T! 743 00:33:08,930 --> 00:33:10,800 NOW! LET'S GO! 744 00:33:12,860 --> 00:33:13,900 WE'RE GOING TO DO THIS. 745 00:33:13,930 --> 00:33:15,000 NO! DON'T! 746 00:33:15,030 --> 00:33:16,000 STOP, ASSHOLE! 747 00:33:16,030 --> 00:33:17,670 WHAT THE HELL IS GOING ON? 748 00:33:17,700 --> 00:33:19,570 YOU'RE UNDER ARREST FOR ATTEMPTED RAPE. 749 00:33:19,600 --> 00:33:22,170 A SLUT LIKE THIS TAKES A HUMP, YOU THINK IT'S RAPE? 750 00:33:22,210 --> 00:33:24,250 I'M SORRY. HE WOULDN'T SAY ANYTHING. 751 00:33:24,280 --> 00:33:26,250 IT'S OKAY, KRISTEN. YOU WORKING WITH THEM? 752 00:33:26,280 --> 00:33:27,520 HUH, YOU SKANKY LITTLE BITCH? 753 00:33:27,550 --> 00:33:29,420 YOU WANT TO SHUT YOUR MOUTH NOW, FRANK, 754 00:33:29,450 --> 00:33:30,620 BEFORE I SHUT IT FOR YOU? 755 00:33:30,650 --> 00:33:32,110 ALL RIGHT, DANNY. ALL RIGHT. 756 00:33:32,150 --> 00:33:35,420 Frank: WHERE'S MY JACKET? 757 00:33:45,830 --> 00:33:47,730 YOU GOT A BIG PROBLEM, FRANK. 758 00:33:47,770 --> 00:33:50,580 WE GOT A REAL GOOD PICTURE OF YOU ON TAPE 759 00:33:50,600 --> 00:33:52,070 TRYING TO RAPE THAT GIRL. 760 00:33:52,100 --> 00:33:53,400 Andy: YOUR FILM DEBUT 761 00:33:53,440 --> 00:33:55,080 IS NOT EXACTLY SCORING YOU NO OSCAR, 762 00:33:55,110 --> 00:33:56,920 BUT IT DOES WIN YOU 10 YEARS IN THE JOINT. 763 00:33:56,940 --> 00:33:59,940 IT COULDN'T BE RAPE. SHE INVITED ME OVER. 764 00:33:59,980 --> 00:34:01,080 THIS SHOWS HER SAYING NO 765 00:34:01,110 --> 00:34:02,940 AND YOU NOT TAKING THAT FOR AN ANSWER. 766 00:34:02,980 --> 00:34:04,980 THAT'S ATTEMPTED RAPE. YOU WANT TO SEE IT? 767 00:34:05,020 --> 00:34:06,760 THE GOOD NEWS IS 768 00:34:06,790 --> 00:34:09,290 I THINK WE CAN HELP EACH OTHER OUT. HOW'S THAT? 769 00:34:09,320 --> 00:34:11,450 CARDS ON THE TABLE ‐‐ WE NEED SOMETHING FROM YOU 770 00:34:11,490 --> 00:34:13,150 WHICH GIVES YOU A HAND YOU CAN DEAL. 771 00:34:13,190 --> 00:34:14,990 Andy: YOU SEE, WITH THIS ATTEMPTED RAPE, 772 00:34:15,030 --> 00:34:16,230 WE KNOW WHAT HAPPENED. 773 00:34:16,260 --> 00:34:18,130 THAT'S 10 YEARS WE GOT IN THE BANK. 774 00:34:18,160 --> 00:34:22,260 BUT WITH THESE TWO PEOPLE THAT GOT MURDERED TODAY, 775 00:34:22,300 --> 00:34:25,330 THOSE, WE DON'T KNOW WHAT HAPPENED. 776 00:34:25,370 --> 00:34:27,600 WE'RE TALKING ABOUT LANA AND MIKE. 777 00:34:27,640 --> 00:34:29,140 HEY, THAT I KNOW NOTHING ABOUT. 778 00:34:29,170 --> 00:34:30,440 HEY, WE KNOW YOU WERE THERE. 779 00:34:30,470 --> 00:34:31,940 COME ON, BACK AT LANA'S, 780 00:34:31,980 --> 00:34:34,150 REMEMBER THAT RUSSIAN GUY'S VOICE ON THE MESSAGE MACHINE? 781 00:34:34,180 --> 00:34:36,650 WELL, HE PICKED OUT YOUR PICTURE COMING OUT OF HER PLACE 782 00:34:36,680 --> 00:34:38,310 TWO MINUTES AFTER SHE GOT KILLED. 783 00:34:38,350 --> 00:34:39,410 YEAH? 784 00:34:39,450 --> 00:34:42,620 YEAH. WHAT'S WORKING FOR YOU 785 00:34:42,650 --> 00:34:44,690 IS MIKE AND LANA BOTH BEING DEAD, 786 00:34:44,720 --> 00:34:47,360 THAT LEAVES JUST YOU WHO KNOWS WHAT HAPPENED. 787 00:34:47,390 --> 00:34:49,660 WE DON'T KNOW, WAS IT YOU KILLED THE GIRL, 788 00:34:49,690 --> 00:34:50,830 WAS IT MIKE? 789 00:34:50,860 --> 00:34:52,590 PLUS, WITH MIKE, DID YOU SHOOT HIM 790 00:34:52,630 --> 00:34:54,960 FOR THE MONEY, DID HE PULL A GUN ON YOU? 791 00:34:55,000 --> 00:34:57,370 NOW, IF YOU COULD HELP US OUT WITH THAT, 792 00:34:57,400 --> 00:35:00,470 MAYBE WE COULD MAKE THIS RAPE THING GO AWAY. 793 00:35:00,500 --> 00:35:02,700 YOU MEAN, LIKE, GO AWAY AWAY? 794 00:35:02,740 --> 00:35:04,340 LIKE, POOF. 795 00:35:07,180 --> 00:35:09,310 ALL RIGHT. I DIDN'T KILL NO ONE. 796 00:35:09,350 --> 00:35:10,660 MIKE KILLED THE GIRL. 797 00:35:10,680 --> 00:35:13,180 IT WAS ALL HIS IDEA. I JUST WENT ALONG. 798 00:35:13,220 --> 00:35:14,690 SO YOU WERE JUST ROBBING HER. 799 00:35:14,720 --> 00:35:16,950 OKAY, YEAH, BUT SHE WASN'T SUPPOSED TO BE HOME. 800 00:35:16,990 --> 00:35:18,820 GIRL HITS THE GYM AT 8:30, 24/7. 801 00:35:18,860 --> 00:35:20,730 SHE DON'T GET HOME UNTIL 10:00. 802 00:35:20,760 --> 00:35:22,820 THIS MORNING SHE PICKS TO MEET THE JEWELER. 803 00:35:22,860 --> 00:35:23,830 BAD LUCK. 804 00:35:23,860 --> 00:35:25,830 EXACTLY. MIKE, HE'S GOT A KEY. 805 00:35:25,860 --> 00:35:28,460 MADE A COPY FROM ONCE WHEN THEY WAS DATING. 806 00:35:28,500 --> 00:35:30,330 SO MIKE'S PLANNING THIS ALL ALONG. 807 00:35:30,370 --> 00:35:32,730 THAT'S RIGHT. SO SHE COMES IN ON US, 808 00:35:32,770 --> 00:35:34,800 SEES US GRABBING UP THE SAFE, STARTS SHOUTING. 809 00:35:34,840 --> 00:35:36,740 MIKEY FLIPS OUT. MIKE DID? 810 00:35:36,780 --> 00:35:38,520 YEAH. STICKS HIS HAND OVER HER MOUTH, 811 00:35:38,540 --> 00:35:39,640 RIPPING AT HER CLOTHES, 812 00:35:39,680 --> 00:35:41,240 SHOUTING AT HER, "SHUT UP! SHUT UP!" 813 00:35:41,280 --> 00:35:42,540 SHE JUST HITS THE FLOOR. 814 00:35:42,580 --> 00:35:43,750 SO YOU BOOK. 815 00:35:43,780 --> 00:35:45,380 DAMN RIGHT WE BOOK. JUMP IN MY CAR, 816 00:35:45,420 --> 00:35:48,230 TAKE OFF, PARK A FEW BLOCKS AWAY FROM THERE. 817 00:35:48,250 --> 00:35:49,750 MIKE PULLS A GUN ON ME. 818 00:35:49,790 --> 00:35:53,020 I PUSH THE GUN AWAY, GUN GOES OFF. 819 00:35:53,060 --> 00:35:54,600 YOU'RE SAYING THIS WAS SELF‐DEFENSE, 820 00:35:54,630 --> 00:35:55,600 YOUR SHOOTING MIKE. 821 00:35:55,630 --> 00:35:57,370 YEAH, LIKE JUSTIFIABLE. 822 00:35:57,400 --> 00:35:58,540 I HAD TO DO IT. 823 00:35:58,560 --> 00:36:01,800 SO, YOU SEE, I DIDN'T KILL NO ONE. 824 00:36:03,900 --> 00:36:06,570 YOU MAKE YOUR STATEMENT, WE'LL TAKE IT TO THE D. A. 825 00:36:06,610 --> 00:36:10,950 OKAY. I JUST TELL THE TRUTH, AND EVERYTHING'S COOL? 826 00:36:12,080 --> 00:36:14,620 ALL RIGHT. 827 00:36:23,990 --> 00:36:25,690 WHERE DID YOU FIND IT? 828 00:36:25,720 --> 00:36:29,220 THE GUY THAT YOU PICKED OUT, HE TOLD US WHERE TO FIND IT. 829 00:36:29,260 --> 00:36:31,030 YOU'VE ARRESTED HIM? 830 00:36:31,060 --> 00:36:32,060 YES, MA'AM. 831 00:36:32,100 --> 00:36:34,340 THANK YOU. THANK YOU BOTH. 832 00:36:36,070 --> 00:36:39,780 MARTY WORE THIS RING EVERY DAY FOR 56 YEARS. 833 00:36:41,470 --> 00:36:43,200 NOW I'LL WEAR IT FOR HIM. 834 00:36:43,240 --> 00:36:44,510 I'M SURE HE'D APPRECIATE IT. 835 00:36:45,780 --> 00:36:47,790 CAN WE GET YOU A RIDE HOME? 836 00:36:47,810 --> 00:36:50,380 NO. MY DAUGHTER'S WAITING DOWNSTAIRS. 837 00:36:50,410 --> 00:36:52,180 WE'LL WALK YOU OUT. 838 00:36:55,420 --> 00:36:58,090 FRANK RUSSO'S WRITING OUT A STATEMENT. 839 00:36:58,120 --> 00:37:00,260 DID HE GO FOR BOTH HOMICIDES? 840 00:37:00,290 --> 00:37:01,590 HE'S WRITING DOWN HIS VERSION. 841 00:37:01,630 --> 00:37:03,330 HE PLACES HIMSELF ON THE SCENE, BOTH CASES. 842 00:37:03,360 --> 00:37:04,760 Andy: PROBABLY WON'T INCLUDE 843 00:37:04,800 --> 00:37:06,170 THE SECOND BULLET GILLESPIE TOOK 844 00:37:06,200 --> 00:37:07,570 RIGHT BEHIND THE EAR 845 00:37:07,600 --> 00:37:10,330 AND KIND OF BLOWS HIS SELF‐DEFENSE THEORY. GOOD WORK. 846 00:37:10,370 --> 00:37:14,240 DON'T FORGET TO PUT IN FOR THE OVERTIME. 847 00:37:14,270 --> 00:37:16,500 OH, DETECTIVE JONES, 848 00:37:16,540 --> 00:37:18,170 DETECTIVE RUSSELL FOR YOU. 849 00:37:20,180 --> 00:37:22,180 THANKS, JOHN. 850 00:37:36,530 --> 00:37:38,140 HEY, I WROTE IT ALL DOWN ‐‐ 851 00:37:38,160 --> 00:37:40,800 HOW MIKE KILLED THE GIRL AND HOW HE TRIED TO KILL ME. 852 00:37:40,830 --> 00:37:41,800 GOOD. 853 00:37:41,830 --> 00:37:42,960 SO WHAT HAPPENS NOW? 854 00:37:43,000 --> 00:37:45,630 WELL, YOU TAKE A LITTLE RIDE TO CENTRAL BOOKING 855 00:37:45,670 --> 00:37:47,270 AND GET PROCESSED. IS THAT WHAT YOU CALL IT? 856 00:37:47,310 --> 00:37:50,220 A FORMALITY, RIGHT? AFTER THAT I GET BAIL? 857 00:37:50,240 --> 00:37:52,170 FRANK, THERE'S NO BAIL ON A MURDER CHARGE. 858 00:37:52,210 --> 00:37:54,110 MURDER CHARGE? WHAT'S HE TALKING ABOUT? 859 00:37:54,150 --> 00:37:56,120 THE TWO COUNTS OF MURDER ‐‐ LANA AND MIKE. 860 00:37:56,150 --> 00:37:58,320 WAIT A MINUTE. I EXPLAINED ALL THAT, 861 00:37:58,350 --> 00:37:59,480 AND YOU UNDERSTOOD. 862 00:37:59,520 --> 00:38:01,660 YEAH, AND YOU'RE GETTING CHARGED WITH MURDER, 863 00:38:01,690 --> 00:38:03,830 SO NOW IT'S BETWEEN YOU AND THE LEGAL SYSTEM. 864 00:38:03,860 --> 00:38:04,900 BUT LIKE WE PROMISED, 865 00:38:04,920 --> 00:38:06,820 WE'RE HOLDING OFF ON THE ATTEMPTED RAPE. 866 00:38:06,860 --> 00:38:08,190 OH, THANKS FOR NOTHING. 867 00:38:08,230 --> 00:38:10,170 YOU LOUSY COPS, YOU SCREWED ME! 868 00:38:10,190 --> 00:38:12,330 WHAT ABOUT THAT SECOND BULLET YOU PUT IN MIKE'S HEAD? 869 00:38:12,360 --> 00:38:14,660 CHILL, FRANK. THERE'S ALWAYS HOPE. 870 00:38:14,700 --> 00:38:17,030 WE'RE COPS. WE DON'T BELIEVE NOBODY. 871 00:38:17,070 --> 00:38:19,770 BUT JURIES ‐‐ YOU NEVER KNOW. THINK OF O. J. 872 00:38:23,680 --> 00:38:26,250 HERE THEY ARE NOW. 873 00:38:26,280 --> 00:38:27,350 HEY, KRISTEN. 874 00:38:27,380 --> 00:38:28,340 KRISTEN, HI. 875 00:38:28,380 --> 00:38:29,980 FRANK GAVE IT UP. 876 00:38:30,010 --> 00:38:31,380 HE SAID HE KILLED LANA? 877 00:38:31,420 --> 00:38:32,920 NOT IN SO MANY WORDS, BUT DON'T YOU WORRY. 878 00:38:32,950 --> 00:38:34,820 HE'S GOING DOWN FOR KILLING BOTH OF THEM. 879 00:38:34,850 --> 00:38:36,420 COME ON IN. 880 00:38:37,890 --> 00:38:41,520 PLUS, HIM GETTING CHARGED WITH MURDER, 881 00:38:41,560 --> 00:38:43,160 THERE'S NO BAIL, 882 00:38:43,190 --> 00:38:45,860 SO YOU DON'T HAVE TO WORRY ABOUT HIM COMING AFTER YOU. 883 00:38:45,900 --> 00:38:47,740 THANK GOD FOR THAT. 884 00:38:47,770 --> 00:38:49,340 THANK YOU, TOO. 885 00:38:49,370 --> 00:38:52,780 I'M GONNA GO, UH, FRESHEN UP. 886 00:38:52,800 --> 00:38:56,670 I'M GETTING OFF DUTY. I COULD DROP YOU HOME. 887 00:38:56,710 --> 00:38:59,510 OH, THAT'S VERY NICE, BUT I HAVE TO GO TO WORK. 888 00:38:59,540 --> 00:39:00,940 I COULD DROP YOU THERE. 889 00:39:00,980 --> 00:39:03,040 WHY DON'T YOU COME BY THE CLUB LATER? 890 00:39:03,080 --> 00:39:04,510 I'M DANCING 10:00 TO 2:00. 891 00:39:04,550 --> 00:39:06,450 YEAH? MAYBE I WILL. 892 00:39:06,480 --> 00:39:07,450 I'D LIKE THAT. 893 00:39:07,490 --> 00:39:09,230 I'LL LEAVE YOUR NAME AT THE DOOR 894 00:39:09,250 --> 00:39:11,550 SO YOU WON'T HAVE TO PAY THE COVER CHARGE. 895 00:39:11,590 --> 00:39:13,320 I COULD PROBABLY HANDLE THAT MYSELF. 896 00:39:14,930 --> 00:39:17,240 SO, UM, I'LL SEE YOU LATER? 897 00:39:17,260 --> 00:39:18,390 YEAH. 898 00:39:29,310 --> 00:39:30,720 NICE GIRL. 899 00:39:30,740 --> 00:39:33,210 YEAH, SEEMS LIKE. GLAD SHE'S OKAY. 900 00:39:33,240 --> 00:39:34,480 GOOD NIGHT. 901 00:39:34,510 --> 00:39:35,810 YEAH, GOOD NIGHT. 902 00:39:35,850 --> 00:39:38,090 NICE WORKING WITH YOU TODAY. 903 00:39:38,120 --> 00:39:40,160 YEAH, THANKS. 904 00:39:41,820 --> 00:39:44,090 YOU OKAY? 905 00:39:44,120 --> 00:39:46,290 I'M FINE. 906 00:39:46,320 --> 00:39:48,090 AHEM. 907 00:39:48,130 --> 00:39:50,270 I KNOW, UH, SOMETIMES THE ONLY WAY TO LEARN 908 00:39:50,290 --> 00:39:51,890 IS BY MAKING YOUR OWN MISTAKES, 909 00:39:51,930 --> 00:39:53,560 BUT BELIEVE ME WHEN I TELL YOU 910 00:39:53,600 --> 00:39:55,260 HOW MANY TIMES I SEEN THIS. 911 00:39:55,300 --> 00:39:57,770 YOU GOTTA FIND SOME WAY TO MOVE ON. 912 00:39:57,800 --> 00:40:00,000 I KNOW, ANDY. 913 00:40:00,040 --> 00:40:02,270 OKAY. 914 00:40:02,310 --> 00:40:05,250 HEY, I'M, UH, GOING TO PICK UP SOME TAKEOUT 915 00:40:05,280 --> 00:40:08,350 AND GO BACK TO MY PLACE. YOU WANT TO COME OVER? 916 00:40:08,380 --> 00:40:11,450 I THINK I'M GOING TO STAY HERE AND TYPE OUT THE FIVES. 917 00:40:11,480 --> 00:40:15,420 I DON'T THINK I'D BE VERY GOOD COMPANY TONIGHT. 918 00:40:15,450 --> 00:40:18,620 ALL RIGHT, THEN. GOOD NIGHT. 919 00:40:18,660 --> 00:40:20,470 NIGHT. 920 00:40:36,680 --> 00:40:37,850 ANDY. 921 00:40:41,080 --> 00:40:43,380 IT'S GETTING LATE, SO I PUT THEO TO BED. 922 00:40:43,410 --> 00:40:45,480 SORRY. I KNOW I SHOULD HAVE CALLED. 923 00:40:45,520 --> 00:40:48,060 HOW WAS WORK? 924 00:40:48,090 --> 00:40:50,500 YOU DON'T WANT TO HEAR ABOUT ALL THAT. 925 00:40:50,520 --> 00:40:52,990 WHY NOT? I LIKE TO HEAR ABOUT YOUR DAY. 926 00:40:53,020 --> 00:40:55,560 I JUST DON'T FEEL LIKE TALKING NOW, OKAY? 927 00:40:55,590 --> 00:40:57,260 OKAY. 928 00:40:59,260 --> 00:41:03,300 STUCK BETWEEN THE USUAL SKELS AND DEAD BODIES, 929 00:41:03,330 --> 00:41:05,030 I GOT DIANE RUSSELL 930 00:41:05,070 --> 00:41:06,970 LEAVING THE SQUAD AND I GOT A PARTNER 931 00:41:07,010 --> 00:41:09,010 WHO'S MAYBE GOING TO CRACK UP OVER THAT. 932 00:41:09,040 --> 00:41:10,540 PLUS A NEW BOSS. 933 00:41:10,580 --> 00:41:12,820 I FEEL LIKE EVERYTHING'S FALLING APART DOWN THERE. 934 00:41:12,840 --> 00:41:15,040 BOBBY'S WIFE'S LEAVING THE SQUAD? 935 00:41:15,080 --> 00:41:17,650 YOU DIDN'T MENTION ANYTHING ABOUT THAT. 936 00:41:17,680 --> 00:41:19,680 LIKE I SAID, I, UH, I DON'T FEEL LIKE 937 00:41:19,720 --> 00:41:20,920 TALKING ABOUT ALL THIS. 938 00:41:20,950 --> 00:41:22,050 OKAY, ANDY. 939 00:41:22,090 --> 00:41:24,900 THERE'S CHICKEN LEFT IN THE KITCHEN. 940 00:41:24,920 --> 00:41:26,490 I CAN HEAT SOME UP. 941 00:41:26,520 --> 00:41:29,420 THAT'S OKAY, I GOT IT. 942 00:41:46,580 --> 00:41:49,280 [ TELEPHONE RINGS ] 943 00:41:49,310 --> 00:41:51,050 15th DETECTIVE SQUAD. 944 00:41:51,080 --> 00:41:54,750 DIANE, HI. 945 00:41:54,790 --> 00:41:56,560 NO, NO, THAT'S OKAY. 946 00:41:56,590 --> 00:41:59,560 I FIGURED YOU'D GET TO ME. 947 00:41:59,590 --> 00:42:03,790 MUST BE TOUGH FOR YOU, LEAVING. 948 00:42:03,830 --> 00:42:07,530 SO, HOW LONG YOU THINK YOU'LL BE GONE? 949 00:42:07,570 --> 00:42:11,440 ARE YOU GOING AWAY SOMEPLACE? 950 00:42:11,470 --> 00:42:15,440 YEAH, SOMETIMES IT'S BEST, NOT NAILING THAT STUFF DOWN. 951 00:42:18,310 --> 00:42:20,780 YOU KNOW, I GOT A LOT TO SAY, 952 00:42:20,810 --> 00:42:25,210 BUT MAYBE IT'S NOT REALLY THE TIME. 953 00:42:25,250 --> 00:42:26,950 YEAH, OKAY. 954 00:42:28,650 --> 00:42:32,150 I'M HERE, YOU KNOW, ANYTIME YOU NEED ME. 955 00:42:34,290 --> 00:42:36,790 YOU TAKE CARE OF YOURSELF. 956 00:42:40,670 --> 00:42:44,140 I HOPE IT ALL WORKS OUT. 957 00:42:44,170 --> 00:42:46,170 I'LL TALK TO YOU SOON.